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At the core of his work is a profound and ever-growing knowledge of trees, enabling Nash to engage closely and intuitively with the characteristics of each species. The extensive statements by him in this book provide a unique insight into both his working methods and the thought processes provoked by this extraordinary collaboration. David Nash is represented in many museum collections including the Tate Gallery, London, the Guggenheim and Metropolitan Museums, New York, and the Setagaya and Metropolitan Art Museums in Tokyo. He was elected RA in 1999 and awarded an OBE in 2004. The introduction to this illustrated book is by the distinguished art historian and critic, Norbert Lynton, who has known and followed the sculptor's work since the late 1960s.
Young people with communication difficulties often struggle in social situations, as without adequate inference, narrative and sequencing skills, correctly interpreting and responding to other people can be a real challenge. This fully photocopiable resource has been designed to improve these skills in the way this population can often learn best – visually. This book is brimming with thought-provoking illustrations of different people in different places, all of which are accompanied by a series of questions designed to encourage prediction and inference skills. Participants are asked to consider everything from who the person in the picture is, what they might be doing, and where they mi...
Originally published in 1999, this book deals with the cultural and legal debates which have counterposed the right to free speech and the need to protect Christian sensibilities in Britain from the time of the French Revolution to the present day. Central to the book is a close study of the content and public reception of the anti-Christian literature of the 19th century associated with the names G.W.Foote and J.W. Gott, the Freethinker and The Truthseeker. David Nash here also examines a variety of critical-theoretical approaches to blasphemy and blasphemous writing, including postmodernism and the work of Foucault and Said. The book concludes with a detailed examination of 20th-century blasphemy cases, up to and including the Gay News case, The Last Temptation of Christ and Visions of Ecstasy.
Bails and Boardrooms is the story of one of Middlesex cricket's best-loved players - a man who used the sport to change his life. David Nash lived and breathed cricket from a very young age. Touted as a future England star at age 15, he eventually found the strains of life as a professional cricketer too great and suffered severe mental-health issues. But the end of Nashy's 20-year Middlesex career proved to be the beginning of something far greater. Determined to make something more of his life, he set out on a journey that would see him build a multi-million-pound business. It was a business that would be his proudest achievement. This book charts Nashy's extraordinary life, from a cricket career of unfulfilled potential to building a business using the lessons he learnt from sport and raising millions for charity. This is a story for anyone who loves cricket or is interested in entrepreneurship. It's a story that shows how hard work, determination and talent can take you almost anywhere.
This book marks the major exhibition David Nash at Kew Gardens opening in June 2012 through to April 2013. One of the UK's most prolific creators of ecological art, David Nash will produce and exhibit his work across the Gardens, with sculptures, installations, drawings and film in place throughout the Gardens, glasshouses, and exhibition spaces. Nash will work at Kew on a 'wood quarry' from April 2012, creating new pieces for the exhibition using trees from the Gardens that have come to the end of their natural life, and this ongoing work will form part of the exhibition.In a career spanning 40 years, Nash has created over 2,000 sculptures out of wood, many of them monumental in scale. Thes...
In 1948 Robert Graves published The White Goddess. His study of poetic mysticism and goddess worship has since become a founding text of Western paganism. As Wicca emerged from what Graves called, a few hopeful young people in California, to over two million strong, The White Goddess has achieved near liturgical status. This rising appreciation brings all the problems of liturgical texts. Many pagans consider Graves’ work like the goddess herself; awe inspiring but impenetrable. Stalking The Goddess is the first extensive examination of this enigmatic text to come from the pagan community and guides readers through bewildering forests of historical sources, poems, and Graves’ biography to reveal his unorthodox claims and entrancing creative process. Relentlessly perusing each path, it explores the uncharted woods and reveals the hidden signposts Graves has posted. The hunt for the goddess spans battlefields, ancient manuscripts, the British museum, and Stonehenge. En route we encounter not only the goddess herself but her three sacred animals; dog, roebuck, and lapwing. Perhaps the muse cannot be captured on her own grounds, but now at least there is a map. ,
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