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Bridging Two Peoples
Bridging Two Peoples tells the story of Dr. Peter E. Jones, who in 1866 became one of the first status Indians to obtain a medical doctor degree from a Canadian university. He returned to his southern Ontario reserve and was elected chief and band doctor. As secretary to the Grand Indian Council of Ontario he became a bridge between peoples, conveying the chiefs’ concerns to his political mentor Prime Minister Sir John A. Macdonald, most importantly during consultations on the Indian Act. The third son of a Mississauga-Ojibwe missionary and his English wife, Peter E. Jones overcame paralytic polio to lead his people forward. He supported the granting of voting rights to Indians and edited ...
Inner Places
2016 Hamilton Arts Council Literary Award for Non-Fiction — Winner David Milne is one of Canada’s finest artists, a man whose work speaks to the intricate beauty of the world as he experienced it. David Milne (1882–1953) dedicated his life to exploring nature and casting it into art in a variety of modernist formats. He was born into poverty in rural Ontario and remained poor all his life because of his relentless dedication to his art. For him, art was life. Nothing mattered to him as much as the enormous “kick“ he felt when he was able to produce the image his artist's eye told him was there. Milne returned to Ontario in 1929 after a twenty-five-year stay in the United States. In every place he lived his peripatetic existence, Milne created a different kind of landscape painting. In his chosen life of solitude, his mind and hand remained very much alive. Since Milne spent as much time writing as he did painting, he provides an enormous amount of material for a life writer. His biography re-creates the texture of the artist's one-of-a-kind life and struggles, allowing a truly intimate portrait to emerge.
West riding election. The poll for a knight of the shire for the west riding of Yorkshire ... 1848
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No Man's Land
What force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. No Man’s Land is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.
A Gentlewoman in Upper Canada
Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writ...
Picturing the Land
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
Rita Levi-Montalcini: Pioneer and Ambassador of Science
“My experience in childhood and adolescence of the subordinate role played by the female in a society run entirely by men had convinced me that I was not cut out to be a wife.”—Rita Levi-Montalcini Self-assured from an early age, Rita knew that she was cut out for a number of other roles and the difference she could make in the lives of others. Prevailing over her father’s traditional values, Rita attended medical school and continued to study the development of the nervous system after graduating. But as a Jew in fascist Italy, her work came to a halt with discriminatory race laws and again later, when she was forced into hiding from the Nazis. In a makeshift lab built from black-ma...
Shaped by the West Wind
"Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.
