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Kosovo is a frontier society where two Balkan nations, Albanian and Serb, as well as two religions, Islam and Christianity, clash. The tension between conflict and symbiosis lies at the core of this book.
Made in Yugoslavia: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries. The book consists of chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: Zabavna-Pop; Rock, Punk, and New Wave; Narodna (Folk) and Neofolk Music; and the Politics of Popular Music Under Socialism.
Editor: Prof. dr Branko Vasić Izdavač: INSTITUT ZA ISTRAŽIVANJA I PROJEKTOVANJA U PRIVREDI Za izdavača: Miloš Dimitrijević, dipl.inž.maš. CD ROM izdanje ‐ obrada i dizajn: iipp Dizajn i obrada radova: iipp; Tiraž: 50 primeraka Izrada CD ROM izdanja ‐ NT Soft ISBN 978‐86‐84231‐39‐2; COBISS.SR‐ID 215839244
Selected, peer reviewed papers from the International Conference on Contaminated Sites Remediation 2011 International Forum (RCST 2011), October 25-27, 2011, Chongqing, China
An electric novel of the extraordinary life of one of the twentieth century's most prodigious and colorful inventors Nikola Tesla was a man forever misunderstood. From his boyhood in what is present-day Croatia, where his father, a Serbian Orthodox priest, dismissed his talents, to his tumultuous years in New York City, where his heated rivalry with Thomas Edison yielded triumphs and failures, Tesla was both demonized and lionized. Tesla captures the whirlwind years of the dawn of the electrical age, when his flair for showmanship kept him in the public eye. For every successful invention—the alternating current electrical system and wireless communication among them—there were hundreds of others. But what of the man behind the image? Vladimir Pistalo reveals the inner life of a man haunted by the loss of his older brother, a man who struggled with flashes of madness and brilliance whose mistrust of institutional support led him to financial ruin. Tesla: A Portrait with Masks is an impassioned account of a visionary whose influence is still felt today.
Opening a long-closed window into the 1960s Communist Eastern Bloc, Motel Trogir explores the history and planning culture that produced a modernist utopian architecture in Yugoslavia. Conceived and built in 1965 by renowned architect Ivan Viti during a period of increased transit tourism, the motel stands by a highway on the Dalmatian coast. A fine example of 20th-century modernism, the motel is in a derelict state today due to unresolved property issues, and stands as a reminder of the former political economy. In 2013, to help rescue the buildings from development, Loose Associations, an association for contemporary artistic practices, argued for protection of the motel as a valuable architectural work. In this modest publication, ample historical images and informative texts tell the story of 1960s socialist Yugoslavia, its tourist architecture and planning as reflected in Vitic's Adriatic motels, and the turbulent decades that have followed as the architectural culture is caught between the socialist agenda and market forces.