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Blowout
In Blowout, Denise Duhamel asks the same question that Frankie Lyman & the Teenagers asked back in 1954—"Why Do Fools Fall in Love?" Duhamel's poems readily admit that she is a love-struck fool, but also embrace the "crazy wisdom" of the Fool of the Tarot deck and the fool as entertainer or jester. From a kindergarten crush to a failed marriage and beyond, Duhamel explores the nature of romantic love and her own limitations. She also examines love through music, film, and history—Michelle and Barak Obama's inauguration and Cleopatra's ancient sex toy. Duhamel chronicles the perilous cruelties of love gone awry, but also reminds us of the compassion and transcendence in the aftermath. In "Having a Diet Coke with You," she asserts that "love poems are the most difficult poems to write / because each poem contains its opposite its loss / and that no matter how fierce the love of a couple / one of them will leave the other / if not through betrayal / then through death." Yet, in Blowout, Duhamel fiercely and foolishly embraces the poetry of love.
Second Story
When her Florida apartment is damaged by the ferocity of Hurricane Irma, Duhamel turns to Dante andterza rima, reconstructing the form into the long poem “Terza Irma.” Throughout the book she investigates our near-catastrophic ecological and political moment, hyperaware of her own complicity, resistance, and agency. She writes odes to her favorite uncle—who was “green” before it was a hashtag—and Mother Nature via a retro margarine commercial. She writes letters to her failing memory as well as to America’s amnesia. With fear of the water below and a burglar who enters through her second story window, she bravely faces the story under the story, the second story we often neglec...
Exquisite Politics
The French Surrealists invented a game called "Exquisite Corpse" to write collaborative poems, and thus the title of Denis Duhamel and Maureen Seaton's new collection, Exquisite Politics, hints at its collaborative nature. In poems that speak at times in a breezy, conversational style, and at other moments with taut intensity, Duhamel and Seaton probe the mysteries of relationships, personal histories, and issues of sexual and political identity.
Queen for a Day
There’s no predicting a Denise Duhamel poem, except that it might be about something you’ve never seen in a poem before: Mr. Donut, Rodney King, or nude beaches; Gertrude Stein, phone sex, or the Girl Scouts. Poems from The Woman with Two Vaginas, a book that was censored when it first appeared, are based on Inuit folklore. How the Sky Fell offers revisionist fairy tales, and the poems from Kinky are inspired by Barbie dolls. In her new work, Duhamel suffers postmodern angst when using the “therapeutic I.” Denise Duhamel has startled readers of American poetry with work that pirouettes on a tightrope above the personal and the political, the spoken word and the page, the irreverent and the sacred. Queen for a Day showcases poems from her five previous collections, along with new work.
Ka-Ching!
Ka-Ching! is a book of poems that explores America’s obsession with money. It also includes a crown of sonnets about e-bay, sestinas on the subjects of Sean Penn and the main characters of fairytales, a pantoum that riffs on a childhood riddle, and a villanelle inspired by bathroom grafitti.
The Woman with Two Vaginas
A collection of erotic poems based upon documented Eskimo mythology: where sex came from, the first marriage, the first man, woman, lesbian relationships. Humorous & fast-paced. Many of these poems first appeared in magazines such as THE AMERICAN POETRY REVIEW. "Riotously humorous. Riveting reading; I couldn't put it down." - Cleanth Brooks.
Two And Two
Denise Duhamel's much anticipated new collection begins with a revisionist tale--Noah is married to Joan of Arc--in a poem about America's often flawed sense of history. Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects. At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, perso...
