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Fearing the Dark
Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.
Managing Information Risk and the Economics of Security
Security has been a human concern since the dawn of time. With the rise of the digital society, information security has rapidly grown to an area of serious study and ongoing research. While much research has focused on the technical aspects of computer security, far less attention has been given to the management issues of information risk and the economic concerns facing firms and nations. Managing Information Risk and the Economics of Security provides leading edge thinking on the security issues facing managers, policy makers, and individuals. Many of the chapters of this volume were presented and debated at the 2008 Workshop on the Economics of Information Security (WEIS), hosted by the...
Administration's Proposed Budget Cuts Affecting the Medicare Program
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Treasury, Postal Service, and General Government Appropriations for Fiscal Year 1995: General Services Administration
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Departments of Labor, Health and Human Services, Education, and related agencies appropriations for 1984
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George A. Romero
George A. Romero (b. 1940) has achieved a surprising longevity as director since his first film, Night of the Living Dead (1968). After relocating to Canada, he shows no signs of slowing up: his recent film, Survival of the Dead (2009), is discussed in a new interview conducted by Tony Williams for this volume, and still other films are awaiting release. Although commonly known as a director of zombie films, a genre he himself launched, Romero's films often transcend easy labels. His films are best understood as allegorical commentaries on American life that just happen to appropriate horror as a convenient vehicle. Romero's films encompass works as different as The Crazies, Hungry Wives, Knightriders, and Bruiser. The interviews in this collection cover a period of over forty years. In whatever format they originally appeared—the printed page, the internet, or the video interview—these discussions illustrate both the evolution of Romero's chosen forms of technology and the development of his thinking about the relationship between cinema and society. They present Romero as an independent director in every sense of the word.
Departments of Labor, Health and Human Services, Education, and related agencies appropriations for fiscal year 1984
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