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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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A festschrift to commemorate the life in books of the renowned rare book librarian, Des Cowley, of the State Library of Victoria
What do we mean by semiotic perception? Why should the concepts of perception and expressivity be reinterpreted within the encompassing framework of a dynamic theory of semiotic fields and forms? Can we redeploy the concept of form in such a way as to make explicit such a native solidarity (‘chiasmatic’ would have said Merleau-Ponty) between perception, praxis and expression -- and first and foremost in the activity of language, right to the heart of the life of the social and speaking animal that we are? What then would be the epistemological and ontological consequences, and how might this affect the way we describe semiolinguistic forms? This book aims to provide answers to these questions by opening up avenues of research on how to understand the linguistic and semiotic dimensions at work in the constitution of experience, both individual and collective.
I dared not move... I was a bread stealer. A chicken feather villain. A salted mutton thief. I guiltily recalled the paper, the ink, the leather pouch I had stolen. And even though I had not intended it so ... I was a stowaway. Julienne roams the fortress tunnels of Brest, France, cold, hungry and knowing only one thing about herself — her name. Soon she must abandon even that remnant of her identity. She becomes Jules, ship's boy, journeying to Botany Bay and beyond on a voyage of discovery for the glory of France, led by Commander Laperouse. Jules/Julienne sees new and strange things on board the Boussole, but what she would most like to discover is her own history: who is Julienne Fulbert?
Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist’s books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discus...