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Wicked Intelligence
In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral. Matth...
Architects and Intellectual Culture in Post-Restoration England
Architects, Builders, and Intellectual Culture in Restoration England charts the moment when well-educated, well-resourced, English intellectuals first became interested in classical architecture in substantial numbers. This occurred after the Restoration of the Monarchy in 1660 and involved people such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North. Matthew Walker explores how these figures treated architecture as a subject of intellectual enquiry, either as writers, as designers of buildings, or as both. In four substantial chapters it looks at how the architect was defined as a major intellectual figure, how architects acquired material that allowed them to define the...
Lady Bette and the Murder of Mr Thynn
The true story of a sensational marriage and murder in 17th-century London. For fans of WEDLOCK, THE SUSPICIONS OF MR WHICHER and GEORGIANA: DUCHESS OF DEVONSHIRE. Lady Bette, the 14-year-old heiress to the vast Northumberland estates, becomes the victim of a plot by her grandmother, the Countess Howard, to marry her to the dissolute fortune-hunter Thomas Thynn, a man three times her age with an evil reputation. Revolted by her new husband, Lady Bette flees to Holland. Within weeks, Thynn is gunned down in the street by three hired assassins. Who is behind the contract killing? Is it the Swedish Count Coningsmark, young and glamorous with blond hair down to his waist? Or is it a political as...
The Rise of Oriental Travel
This book follows four Seventeenth-century Englishmen on their journeys around the Ottoman Empire while the British were, for the first time in history, becoming important players in the Mediterranean. This book shows that hostility between East and West is neither historical nor inevitable, but rather the result of selective memory.
The Lost Queen
An enthralling and vivid portrait of Queen Catherine of Braganza, wife of Charles II, that reveals her forgotten place in history. A long-overlooked figure in history, Catherine has a crucial place in the history of the British Empire: she may have failed to produce an heir to the throne, but her marriage to Charles in 1662 marked a key turning point in Britain’s imperial ascendancy, for part of her dowry was Bombay, Britain’s first territory of the Indian subcontinent. Catherine also was highly influential in the worlds of fashion, Baroque art and music, and food and culture. She popularized tea drinking, bringing England’s national drink into fashion for the first time. Her life was at the nexus of Old and New worlds, war and exploration, frivolity and scientific enquiry. Noteworthy in its scope and approach to sources, The Lost Queen combines personal and political accounts, offering a lively portrait of Catherine’s life, and the wider politics and explorations of her time.
The Beginnings of the Modern Philosophy of Music in England
In 1677 a slim quarto volume was published anonymously as A Philosophical Essay of Musick. Written by Francis North (1637-85), chief justice of the Common Pleas, the Essay is in the form of a legal case argued from an hypothesis. Utilising the pendulum as his hypothesis, North provided a rationale from mechanics for the emerging new musical practice we now call 'tonality'. He also made auditory resonance the connecting link between acoustical events in the external world and the musical meanings the mind makes on the basis of sensory perception. Thus began the modern philosophy of music that culminated with the work of Hermann von Helmholtz. As a step towards understanding this tradition, Jamie C. Kassler examines the 1677 Essay in its historical context. After assessing three seventeenth-century criticisms of it and outlining how one critic developed some implications in the Essay, she summarises the basic principles that have guided the modern philosophy of music from its beginnings in the 1677 Essay. The book includes an annotated edition of the Essay as well as the comments of the three critics.
Sir Peter Lely (1618-1680): Dutch Classicist, English Portraitist, and Collector
The Dutch-born English Baroque portrait painter Sir Peter Lely (1618-1680) is chiefly known for his drowsy, sensual beauties and bewigged courtiers associated with the Restoration court of Charles II. He is often seen as merely successor or "imitator" of Sir Anthony Van Dyck (1599-1641), with a common resemblance in all his sitters and an inability to capture a true likeness, as well as an absence of any personal characterization or psychological interest. Alternately, this dissertation aims to reveal Lely's genius of superb draughtsmanship, fine color and lively composition, as well as to examine and reinstate the artist's impact and deep impress on British painting. Lely's early style owes...
Notes of Me
North (1651-1734) makes lively forays into the worlds of natural philosophy, Christian stoicism, Cartesian science, architecture, music, education, and James II's treatment of the Protestant courtiers.
Giovanni Bellini
Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the �...
