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Girl Running
This stellar debut collection by Métis poet Diana Hope Tegenkamp takes us through many worlds and wonders. In Girl running, we find solace and outrage, grief and tenderness, bewilderment and beauty, all "entangled in hope and dreaming." The poet's love of the natural world is both earthy and adamantine, and her passion for literature and art is just as rich a source for her questioning eye. On the edge of Saskatoon, a woman opens a car door and flees. A child runs away from residential school after a beating. A Métis man's ghost gallops on a ghost horse across the prairies. Henry James' 19th-century heroine, Isabel Archer, runs across a wintery yard. Lana Tisdel drives away from Falls City...
Field Requiem
Shortlisted for the Saskatchewan Book Award (Poetry Book) 2023 Shortlisted for the Saskatchewan Book Award (City of Saskatoon) 2023 Shortlisted for the Derek Walcott Prize for Poetry 2022 Shortlisted for the Pat Lowther Memorial Award 2022 Field Requiem bears witness to the violence inherent in the shift to industrialised farming in prairie Canada. Sheri Benning's poems chart the ways in which a way of life collapses, the world of the family farm, even as the speaker suffers, too. The first poem in the collection, 'Winter Sleep', is a fever dream: the borders between past and present, between the unconscious and the real, break down. The poem reckons with the devastating social and environme...
Washing Off the Raccoon Eyes
"What happens when we believe in something that isn't there? What happens to the mind maps of places we don't live in anymore? What happens when we doubt our own history? We cling to the solidity of physical space. Our abstracted sense of being swells to its limits, presses against its boundary of skin, bumps up against the world, finds itself there. Washing Off the Raccoon Eyes explores the idea that we as humans are undefined, chaotic, that we come to know ourselves through the spaces we inhabit and the people we encounter. These are hungry poems looking feverishly outwards, phenomenological poems that speak of late nights, feminist issues, mental illness and writing itself."--
Finish This Sentence
Finish this Sentence is about facing the truth of a lived experience in the midst of racism and healing from its trauma. Healing comes from shedding an outworn identity, walking away from the voices in your head, and seeing the irony and the power within you. Leslie's writing brings home blunt messages. It is political at its core and spiritual at heart. A true appreciation of the personal being political reverberates throughout the writing.
What Is Long Past Occurs in Full Light
Beautiful meditations on absences and loss interwoven with personal, local and cultural memories. This new and remarkable book of poetry weaves beautifully crafted and intuitive meditations on absences and loss, with personal, local and cultural presence and memories. The poems awaken transformative interconnections between literature, ecology, civilization, history and individual study. A story of acknowledgment and philosophical and spirit renewal are told from various points of view and identities; from vanished figures from a Victoria childhood, to missing the companionship of a family dog, on to authors such as Gogol, Akhmatova and a Gaelic bard in their roles as inhabitants of the museum of the poet's mind. In line with Bowering's interest in culture as ecology, the poems are also acts of appeasement between the natural world and the old voices that form the mythopoeic connections between people and their surroundings; connections that are foundational to human art and culture.
Gold Pours
In this debut collection by emerging poet Aurore Gatwenzi, a stunning new voice emerges as she shares the experience of being young and Black in northern Ontario. Gold Pours is a collection of poems that talk about God, identity, heartbreak and passion. Gatwenzi's honest approach to writing exposes readers to humility, surrender and lessons learned from courageous acts of vulnerability.
Deepfake Serenade
In Deepfake Serenade, Chris Banks's sixth poetry collection, irreverent charm, emotional distance and surprising hot takes leap off every page. He writes in the title poem, "Inside every one of us is a deepfake. A holy ghost," suggesting people have a choice to feel either like sad imposters or, if they're brave, like survivors staring down a world both utterly familiar and strange. These poems, sometimes narrative, sometimes surreal, oscillate between these two extremes as they confront middle age, new love, renewed optimism and memories, all with Banks's signature wit and inventiveness. This collection is for anyone who has ever wished to wear "a halo of knowing," or to be "the sparks flying" when outer phenomena and inner impulses collide. "Earn your rewards," Banks writes in one poem, and we do, with every turn of the page.
Dissonant Methods
Dissonant Methods is an innovative collection that probes how, by approaching teaching creatively, postsecondary instructors can resist the constrictions of neoliberalism. Based on the foundations of Scholarship of Teaching and Learning, whereby educators are asked to explore teaching as scholarship, these essays offer concrete and practical meditations on resistant and sustainable teaching. The contributors seek to undermine forms of oppression frequently found in higher education, and instead advance a vision of the university that upholds ideals such as critical thinking, creativity, and inclusivity. Essential reading for faculty and graduate students in the humanities, Dissonant Methods offers urgent, galvanizing ideas for anyone currently teaching in a college or university. Contributors: Kathy Cawsey, Kit Dobson, Ada S. Jaarsma, Rachel Jones, Kyle Kinaschuk, Namrata Mitra, Guy Obrecht, Katja K. Pettinen, Kaitlin Rothberger, Ely Shipley, Martin Shuster
Carving Space: The Indigenous Voices Awards Anthology
To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. Established in 2017, the Indigenous Voices Awards honour the sovereignty of Indigenous creative voices and nurture the work of emerging Indigenous writers in lands claimed by Canada. Through generous support from hundreds of Canadians and organizations such as Penguin Random House Canada, Scholastic Canada, Douglas & McIntyre, Pamela Dillon and Family Gift Fund, the awards have ushered in a new and dynamic generation of Indigenous writers. Past IVAs recipients include Billy-Ray Belcour...
