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Dostoevsky and Romantic Realism
Dostoevsky and Romantic Realism is Donald Fanger's groundbreaking study of the art of Dostoevsky and the literary and historical context in which it was created. Through detailed analyses of the work of Balzac, Dickens, and Gogol, Fanger identifies romantic realism, the transformative fusion of two generic categories, as a powerful imaginary response to the great modern city. This fusion reaches its aesthetic and metaphysical climax in Dostoevsky, whose vision culminating in Crime and Punishment is seen by Fanger as the final synthesis of romantic realism.
The Creation of Nikolai Gogol
Nikolai Gogol, Russia's greatest comic writer, is a literary enigma. His masterworks--"The Nose," "The Overcoat," The Inspector General, Dead Souls--have attracted contradictory labels over the years, even as the originality of his achievement continues to defy exact explanation. Donald Fanger's superb new book begins by considering why this should be so, and goes onto survey what Gogol created, step by step: an extraordinary body of writing, a model for the writer in Russian society, a textual identity that eclipses his scanty biography, and a kind of fiction unique in its time. Drawing on a wealth of contemporary sources, as well as on everything Gogol wrote, including journal articles, le...
The Enigma of Gogol
Peace argues that Gogol's ambiguous humanist position stems from the cultural impact of Romanticism.
Noplace Like Home
Explores the way that four major works of Russian literature--Gogol's Dead Souls, Goncharov's Oblomov, Zamiatin's We, and Bulgakov's The Master and Margarita--define a cultural "self" for the Russian people. Focusing on the deep cultural currents that pull Russian society in contradictory ways, Noplace Like Home also explores the writer's struggle to overcome these tensions through the creation of a literary utopia.
Translation as Collaboration
This study focuses on the considerable but neglected body of works translated by S. S. Koteliansky in collaboration with Virginia Woolf and Katherine Mansfield.
To Kill a Text
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.
George V. Higgins
Best known for his popular crime fiction, Boston novelist George V. Higgins (1939-1999) should stand among the top ranks of the American literary canon. In his 26 novels and dozens of short stories, Higgins chronicled the lives of Boston's Irish with his trademark hard-boiled dialog, exploring the criminal underworld, American democracy, Boston politics, personal redemption and New England life in the tradition of Hawthorne and Thoreau. This intimate biography explores his turbulent life and career, including his working-class Irish Catholic roots, his two stormy marriages, his ambivalence toward the city of his birth, his passion for the limelight, and his drinking, which disrupted his family life and led to his early death at age 59. Discussions of Higgins's individual works and excerpts from his correspondence, writings, and thoughts on literature complete this revealing portrait.
Neo-Formalist Papers
The essays have been grouped under the following headings: I. Language and the boundaries of genre.- II. Text and intertext.- III. Authorial status and modernity. Steene).
In Praise of Antiheroes
A book tracing the rise of the antihero in modern literature. The author defines him as someone whose courage displays our own needs and deficiencies. For example, he achieves dignity through humiliation, or suffers a reversal through his honesty.
