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Two Irish migrants on the cusp of new lives in post-war Britain. Two young people who dare to dream of a better life, and dance the music of survival in their adopted homeland. Afraid that his wife and children will arrive over any day, Trevor is in a hurry to settle old scores with his rivals and to prove himself the top fighting man within his London-Irish community of drinkers and navvies while Nano seeks to escape the stifling conformity and petty jealousies of her peers and forget her failed love-match at home. Will Trevor finally prove himself "the man" and secure the respect that he feels is his by virtue of blood and tribe? Does Nano have it in her to break free of the suffocating bonds of home and community and find love with Lithuanian beau Julius? Written at a time when the Irish were "building England up and tearing it down again," and teeming with the raucous energy of post-war Kilburn, Cricklewood and Camden Town this novel is one of the very few authentic portrayals of working-class life in modern Irish literature.
DIrish construction workers in post-war Britain are celebrated in song and story. Donall MacAmhlaigh kept a diary as he worked the sites, danced in the Irish halls, drank in Irish pubs and lived the life of the roving Irish navvy. Work was hard, dirty and dangerous, followed by pints in the Admiral Rodney, the Shamrock, the Cattle Market Tavern and others. Living conditions were basic at best. This vivid picture of an Irish navvy's life in England in the 1950s mirrors that of an entire generation who left Ireland without education or hope. Days without food or work, the hardships of work camps, lonesome partings after trips home, periods of intense isolation and bitter reflection were all part of the experience. • Also available: Hard Road to Klondike.
Examines the specific role that the metropolis plays in literary portrayals of Irish migrant experience as an arena for the performance of Irishness, as a catalyst in the transformations of Irishness and as an intrinsic component of second generation Irish identities.
Since this memoir was first published (Dec.2013) there have been enormous changes in the social and political life of Ireland. On issues like marriage equality and abortion law reform; all has changed utterly. From being a country ruled by an "oppressive native gombeen ascendancy" with the unwavering support of a rigid Catholic clergy, the youth of Ireland have now come into their own. But it was not always so. Against the Wind: Memoir of a Dissident Dubliner is the story of life in the first fifty years after independence was won for a part of the island of Ireland. The times were financially tough and morally prude, with dissenters both North and South of the border few and far between. In...
Journey through Wales en route for Scotland. The protagonist follows his impulses, getting into various absurd situations. What appears on the surface as a simple road-trip is really one man's journey into his inner soul and his generous humanity
"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--
The first critical survey of an unjustly neglected body of literature: the autobiographies and memoirs of writers of Irish birth or background who lived and worked in Britain between 1725 and the present day. It offers a stimulating and provocative introduction to the themes, preoccupations and narrative strategies of a diverse range of writers.
The book "depicts the joys, and, mostly the tribulations of the down and out, the outcast, the flotsam and jetsam of an uncaring society."--Cover.
Her Mother's Hands is an examination of the deepest human bonds and a beautiful and moving tribute to life.
The Ragged Trousered Philanthropists is a classic representation of the impoverished and politically powerless underclass of British society in Edwardian England, ruthlessly exploited by the institutionalized corruption of their employers and the civic and religious authorities. Epic in scale, the novel charts the ruinous effects of the laissez-faire mercantilist ethics on the men, women, and children of the working classes, and through its emblematic characters, argues for a socialist politics as the only hope for a civilized and humane life for all. It is a timeless work whose political message is as relevant today as it was in Tressell's time. For this it has long been honoured by the Trade Union movement and thinkers across the political spectrum.