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Emblems and Impact Volume II
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
The Soul in the Axiosphere from an Intercultural Perspective, Volume Two
This volume gathers together a broad spectrum of evaluations of the soul from different perspectives, including artistic (from literature and the arts), mystic and theological reflections on spirituality from the Christian religion, as well as from the Orient and Ancient Egypt. The contributions in this book will afford the reader a wider perspective on the concept of the soul in its ethical, emotional and theological dimensions, in both European and Non-European cultures and languages, and in artistic, philosophical and religious texts.
Architectural Rhetoric and the Iconography of Authority in Colonial Mexico
This book investigates the Casa de Montejo and considers the role of the building’s Plateresque façade as a form of visual rhetoric that conveyed ideas about the individual and communal cultural identities in sixteenth-century Yucatán. C. Cody Barteet analyzes the façade within the complex colonial world in which it belongs, including in multicultural Yucatán and the transatlantic world. This contextualization allows for an examination of the architectural rhetoric of the façade, the design of which visualizes the contestations of autonomy and authority occurring among the colonial peoples.
Rethinking Gaspara Stampa in the Canon of Renaissance Poetry
Despite the fact that Gaspara Stampa (1523?-1554) has been recognized as one of the greatest and most creative poets and musicians of the Italian Renaissance, scholarship on her work has been surprisingly scarce and uncoordinated. In recent years, critical attention towards her work has increased, but until now there have been no anthologies dedicated solely to Stampa. Rethinking Gaspara Stampa in the Canon of Renaissance Poetry aims to set a foundation for further Stampa studies by accounting for her contributions to literature, music history, gender studies, the history of ideas, philosophy, and other areas of critical thought. This volume brings together an international group of interdis...
Vico: The First New Science
The First New Science gives a clear account of Vico's mature philosophy: the belief that certain functions which are necessary for the maintenance of human society and culture, including philosophy, also condition them historically. This challenges the traditional view that philosophy can lay claim to an historically independent viewpoint, thus bringing into question the legitimacy of the claims of universal prescriptive political theories as against the de facto political beliefs of particular historical societies. This is the first of Vico's later major books in which he wrote in Italian in order not merely to expound but to demonstrate in practice, his conception of the philosophical importance of etymology. This 2002 Cambridge Texts edition is the first complete English translation of the 1725 text. Accompanied by a glossary, bibliography, chronology of Vico's life and expository introduction, it makes this important work accessible to students for the first time.
Strokes of Genius
"Strokes of Genius: Italian Drawings from the Goldman Collection was published in conjunction with an exhibition of the same title organized by and presented at the Art Institute of Chicago from November 1, 2014, to February 1, 2015."
The Allegory of Love in the Early Renaissance
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
2007
Die International Bibliographiy of Historical Sciences verzeichnet jährlich die bedeutendsten Neuerscheinungen geschichtswissenschaftlicher Monographien und Zeitschriftenartikel weltweit, die inhaltlich von der Vor- und Frühgeschichte bis zur jüngsten Vergangenheit reichen. Sie ist damit die derzeit einzige laufende Bibliographie dieser Art, die thematisch, zeitlich und geographisch ein derart breites Spektrum abdeckt. Innerhalb der systematischen Gliederung nach Zeitalter, Region oder historischer Disziplin sind die Werke nach Autorennamen oder charakteristischem Titelhauptwort aufgelistet.
Media Critique in the Age of Gillray
Dark Media and the Materiality of Nothing -- Haunted Media -- Good Copies, Bad Copies -- Social Detritus, Paper Detritus.
Roman Tales
Roman Tales: A Reader’s Guide to the Art of Microhistory explores both the social and cultural life of Renaissance Rome and the mind-set and methods of microhistory. This book draws the reader deep into eight stories: a Christian-Jewish picnic plus an ill-aimed stone fight, an embassy-driven attack on Rome's police, a magic prophetic mirror, an immured mad hermit, a stolen dwarf, and the bizarre misadventures of a stolen roll of velvet, a truly odd elopement, and a thieving child who treats his cronies to dinner at the inn. It meditates on the resources and lacunae that shape the telling of these stories and, through them, it models an historical method that contrives to turn the limits of...
