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'The past is a foreign country' has become a truism, yet the past differs from the present in many unfamiliar ways and historical memory is extraordinarily imperfect. The degree to which we think of the European past as the history of France, Germany, Britain, Russia and so on, actually obstructs our view of former reality, and blunts our sensitivity to the ever-changing political landscape. Europe's past is littered with kingdoms, empires and republics which no longer exist but which were some of the most important entities of their day - 'the Empire of Aragon', which dominated the western Mediterranean in the thirteenth century, the Grand Duchy of Lithuania, the largest country in Europe f...
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE INDEPENDENT • From bestselling author and acclaimed historian Alison Weir comes the first biography of Margaret Douglas, the beautiful, cunning niece of Henry VIII of England who used her sharp intelligence and covert power to influence the succession after the death of Elizabeth I. Royal Tudor blood ran in her veins. Her mother was a queen, her father an earl, and she herself was the granddaughter, niece, cousin, and grandmother of monarchs. Lady Margaret Douglas, Countess of Lennox, was an important figure in Tudor England, yet today, while her contemporaries—Anne Boleyn, Mary, Queen of Scots, Elizabeth I—ha...
NEW YORK TIMES BESTSELLER • Bestselling historian Alison Weir tells the poignant, suspenseful and sometimes tragic story of Elizabeth, eldest daughter of the Yorkist King Edward IV and sister of the Princes in the Tower, a woman whose life was inextricably caught up in the turmoil of the Wars of the Roses and the establishment of the usurping Tudor dynasty. She was the wife of Henry VII and mother of Henry VIII. Many are familiar with the story of the much-married King Henry VIII of England and the celebrated reign of his daughter, Elizabeth I. But it is often forgotten that the life of the first Tudor queen, Elizabeth of York, Henry’s mother and Elizabeth’s grandmother, spanned one of...
'Writing about Queen Victoria has been one of the most joyous experiences of my life. I have read thousands (literally) of letters never before published, and grown used to her as to a friend. Maddening? Egomaniac? Hysterical? A bad mother? Some have said so. What emerged for me was a brave, original woman who was at the very epicentre of Britain's changing place in the world: a solitary woman in an all-male world who understood politics and foreign policy much better than some of her ministers; a person possessed by demons, but demons which she was brave enough to conquer. Above all, I became aware, when considering her eccentric friendships and deep passions, of what a loveable person she was.' A. N. Wilson
This book draws on original material and approaches from the developing fields of the history of emotions and childhood studies and brings together scholars from history, literature and cultural studies, to reappraise how the early modern world reacted to the deaths of children. Child death was the great equaliser of the early modern period, affecting people of all ages and conditions. It is well recognised that the deaths of children struck at the heart of early modern families, yet less known is the variety of ways that not only parents, but siblings, communities and even nations, responded to childhood death. The contributors to this volume ask what emotional responses to child death tell...
A special bundle of one fiction and one non-fiction title from bestselling historian Alison Weir, both exploring the life of Eleanor of Aquitaine. The Captive Queen: It is the year 1152 and a beautiful woman of thirty, attended by only a small armed escort, is riding southwards through what is now France, leaving behind her crown, her two young daughters and a shattered marriage to Louis of France, who had been more like a monk than a king, and certainly not much of a lover. This woman is Eleanor, Duchess of Aquitaine, and her sole purpose now is to return to her vast duchy and marry the man she loves, Henry Plantagenet, a man destined for greatness as King of England. Theirs is a union foun...
During the late 19th and early 20th centuries, a wave of political violence swept across the globe, causing widespread alarm. Described by the media of the day as "propaganda of the deed," assassinations, bombings and assaults carried out by anarchists--both individuals and conspirators--were intended to incite revolution and established the precedents of modern terrorism. Much has been written about these actions and the responses to them yet little attention has been given to the actors themselves. Drawing on wide range of sources, the author profiles numerous insurgents, their deeds and their motives.
'Stunning... Weir has brought those five queens to life like never before. I just raced through it - it has all the drama and suspense of a novel' Tracy Borman Crusading queens, queens in rebellion against their king, queen seductresses, learned queens, queens in battle - the Plantagenet queens broke through medieval constraints to exercise power and influence, for good and sometimes for ill. Beginning with the formidable Eleanor of Aquitaine whose marriage to Henry II sows the seeds for some of the most destructive family conflicts in history and ending with Eleanor of Castile, the grasping but beloved wife of Edward I, Alison Weir's ground-breaking history of the queens of medieval England provides an enthralling new perspective on a dramatic period of high romance and sometimes low politics, with determined women at its heart.
This work reassesses women's relationship to performance in early modern England. It investigates the staging conditions, practices and gendering of Anna of Denmark's performances, bringing current critical theorisations of race, class, gender, space and performance to bear on the female courtly body in dance, staging, scenery, costume and make-up in the Jacobean court. The study establishes a tradition of early seventeenth-century female performance which constitutes a trajectory for the emergence of the professional Restoration female actor. Anna of Denmark, wife of James VI of Scotland/James I, was a great patron of Ben Johnson, among others.
Taken together, these texts reveal the complicated public discussion of education in the 1890s - a period of transformation in culture, schooling, and the organization of knowledge. Moreover, they reveal the rhetorical structure of many of the questions Americans ask about education today: who should be educated, by whom, for what purposes, using what methods or materials? What of the past should we pass on to the future, and how? Contesting Cultural Rhetorics will be useful to readers interested in the history of education and nineteenth-century popular culture, as well as those involved in current debates on education and public policy.