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The Written World of God
The Written World of God is the first systematic overview of the science of letters ('ilm al-huruf) according to the great Andalusian spiritual master, scholar, poet and philosopher Ibn 'Arabi (d. 1240). Ibn 'Arabi defined the science of letters as familiarity with the building blocks of the Quranic revelation and everything in the world of nature. Letters are understood as visual and aural signs pointing to the mysteries of existence. The present study examines how the universe came to be, for what purpose it was created and the hierarchical structure it is endowed with. It is an old story told anew - through the 28 letters of the Arabic alphabet, their orthographic forms and the meanings attributed to them, using Ibn 'Arabi's own diagrams. Although the story could be told through geometric figures or numbers, letters were chosen on the basis of Ibn 'Arabi's doctrine that the meanings carried by the letters fully encompasses the whole of existence: God and the universe.
Bedeviled
Ghouls, ifrits, and a panoply of other jinn have long haunted Muslim cultures and societies. These also include jinn doppelgangers (qarīn, pl. quranāʾ), the little-studied and much-feared denizens of the hearts and blood of humans. This book seeks out jinn doppelgangers in the Islamic normative tradition, philosophy, folklore, and Sufi literature, with special emphasis on Akbarian Sufism. Muḥyī al-Dīn Ibn ʿArabī (d. 1240) wrote on jinn in substantial detail, uncovering the physiognomy, culture, and behavior of this unseen species. Akbarians believed that the good God assigned each human with an evil doppelganger. Ibn ʿArabī’s reasoning as to why this was the case mirrors his attempts to expound the problem of evil in Islamic religious philosophy. No other Sufi, Ibn ʿArabī claimed, ever managed to get to the heart of this matter before him. As well as offering the reader knowledge and safety from evil, Ibn ʿArabī’s writings on jinnealogy tackle the even larger issues of spiritual ascension, predestination, and the human relationship to the Divine.
Sufism in Ottoman Damascus
Sufism in Ottoman Damascus analyzes thaumaturgical beliefs and practices prevalent among Muslims in eighteenth-century Ottoman Syria. The study focuses on historical beliefs in baraka, which religious authorities often interpreted as Allah's grace, and the alleged Sufi-ulamaic role in distributing it to Ottoman subjects. This book highlights considerable overlaps between Sufis and ʿulamāʾ with state appointments in early modern Province of Damascus, arguing for the possibility of sociologically defining a Muslim priestly sodality, a group of religious authorities and wonder-workers responsible for Sunni orthodoxy in the Ottoman Empire. The Sufi-ʿulamāʾ were integral to Ottoman networks...
Islamic Thought and the Art of Translation
Islamic Thought and the Art of Translation presents a diverse selection of studies, translations, and textual editions in honor of two of the most beloved and productive scholars in the field of Islamic Studies, Professors William Chittick and Sachiko Murata.
Visualizing Sufism
Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism—Ibn al-ʿArabī, Aḥmad al-Būnī, Saʿd al-Dīn Ḥamūyeh, al-Shaʿrānī—, and in intellectual networks—Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history. Contributors Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser.
Ibn al-ʿArabī’s Kitāb Fuṣūṣ al-Ḥikam wa-Khuṣūṣ al-Kalim
Although the exemplar of the Fuṣūṣ al-ḥikam has mysteriously disappeared shortly after its composition, the earliest copy in al-Qūnawī’s hand has survived. Having been collated with the orginal, read in front of Ibn al-ʿArabī, and signed by him, it stands as the vetustissimus and optimus. This edition is established on its reading and is checked against ʿAfīfī’s classic. Besides a fully vocalized text, it provides an appended facsimile of the manuscript. The introductory section is the first comprehensive study that tracks the whole story of the manuscript and attempts to identify possible scattered traces of the lost original. It reviews attitudes towards the text, as well as a century of scholarly research on it, and illustrates key concepts of the Master’s doctrine to help contextualize the book contents.
The Banisher of Madness
Born in the late 9th century Baghdad, the ʿAbbāsid grammarian 'Abū Bakr Muḥammad b. Saḥl Ibn al-Sarrāj (d. 929), came to be remembered as the Banisher of Madness and the virtuous scholar whose life has exemplified the culture of Arabs in its fullness. Lauded as the arch-enemy of Hellenistic sciences and, at the same time, as the main source of transmission of Aristotelian logic from the 10th century philosophers to the grammarians of Baghdad; Ibn al-Sarrāj nonetheless remains a shadowy figure in the history of Arabic grammar studies up until today. This book addresses this issue by examining the problematic relationship between language, logic and grammar in Ibn al-Sarrāj's teachings. In addition, the present study offers an insight into the conflict between the medieval grammarians and logicians over the traditionally-established authority of ʿAbbāsid grammarians to analyse the intelligible realm and nature of a human soul. In order to come to terms with the controversial notion of grammarians as the guardians of the divine wisdom, the present study pivots on one of its greatest embodiment: Ibn al-Sarrāj's concept of the Wisdom of Arabs.
What is “Islamic” Art?
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
The Written World of God
"The Written World of God is the first systematic overview of the science of letters (ilm al-huruf) according to the great Andalusian spiritual master, scholar, poet and philosopher Ibn Arabi (d. 1240). Ibn Arabi defined the science of letters as familiarity with the building-blocks of the Quranic revelation and everything in the world of Nature. Letters are understood as visual and aural signs of pointing to the mysteries of existence. The present study examines how the universe came to be, for what purpose it was created and the hierarchical structure it is endowed with. It is an old story told anew through the 28 letters of the Arabic alphabet, their orthographic forms and the meanings attributed to them, utilising Ibn Arabi's own diagrams. Although the story could be told through geometrical figures or numbers, letters were chosen on the basis of Ibn Arabi's doctrine that the meanings carried by the letters fully encompasses the whole of existence: God and the universe." --.
