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Some 750 alphabetically-arranged entries provide insights into the exciting cultural and political features of contemporary Spain. Including Catalonia, Galicia and the Basque country, coverage spans from 1939 to the present.
The Spanish literature discussed in this volume falls into two main categories: the work of Galician novelist, short-story writer and critic, Emilia Pardo Bazan and the wider context of prose fiction and criticism during the period 1870 to 1935.
Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Fashioning Womanhood and Making Modernity in Galdós's La desheredada -- Chapter Two: What Is a Man of Fashion? Manuel Pez and the Dandy in Galdós's La de Bringas -- Chapter Three: Fashion and Feminity in Pardo Bazán's Insolación -- Chapter Four: The Sartorial Charm of the Modern Man in Pardo Bazán's Insolación -- Chapter Five: Dressing the New Woman in Picón's Dulce y sabrosa -- Conclusion -- Notes -- Bibliography -- Index -- About the Book -- About the Author.
Transatlantic studies have begun to explore the lasting influence of Spain on its former colonies and the surviving ties between the American nations and Spain. In Monsters by Trade, Lisa Surwillo takes a different approach, explaining how modern Spain was literally made by its Cuban colony. Long after the transatlantic slave trade had been abolished, Spain continued to smuggle thousands of Africans annually to Cuba to work the sugar plantations. Nearly a third of the royal income came from Cuban sugar, and these profits underwrote Spain's modernization even as they damaged its international standing. Surwillo analyzes a sampling of nineteenth-century Spanish literary works that reflected metropolitan fears of the hold that slave traders (and the slave economy more generally) had over the political, cultural, and financial networks of power. She also examines how the nineteenth-century empire and the role of the slave trader are commemorated in contemporary tourism and literature in various regions in Northern Spain. This is the first book to demonstrate the centrality of not just Cuba, but the illicit transatlantic slave trade to the cultural life of modern Spain.
From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is even more remarkable when compared with the output of studios and production companies in the United States and elsewhere at the same time. What accounts for the staggering number of films, and what does it say about Spain during this period? In Sex, Sadism, Spain, and Cinema: The Spanish Horror Film, Nicholas G. Schlegel looks at...
Overviews of writers and works from the ancient Greeks through the 20th century, written by subject experts. Each author entry provides a detailed overview of the writer's life and works. Work entries cover a particular piece of world literature in detail.