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Pareja heterosexual monogámica, familia, sentido patriarcal, sociedad, censura, persecución, discriminación sexista, prejuicios, actúan sin cesar y con distintos grados de violencia física, moral psicológica para imponer el estereotipo heterosexual-patriarcal.
Esta obra contiene contribuciones al estudio de las prácticas culinario-gastronómicas y alimentarias en el contexto contemporáneo de la globalización. La obra permite entender los discursos, prácticas, políticas y desafíos culturales relacionados con la definición de lo que es el patrimonio cultural de un grupo y las implicaciones del reconocimiento de las tradiciones culinario-gastronómicas desde enfoques
Representaciones y prácticas medicinales antiguas y contemporáneas con base en la observación y la comprensión de la naturaleza
Eleven essays that build interdisciplinary bridges between law, biology and ecology. Book focuses on three general issues: debate over definition of and discussion about "bio-cultural heritage;" relationship between bio-culture and food in cultural groups; and integration of bio-cultural knowledge, institutional protection of heritage, and effort to preserve indigenous and peasant economies.
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How Race Is Made in America examines Mexican AmericansÑfrom 1924, when American law drastically reduced immigration into the United States, to 1965, when many quotas were abolishedÑto understand how broad themes of race and citizenship are constructed. These years shaped the emergence of what Natalia Molina describes as an immigration regime, which defined the racial categories that continue to influence perceptions in the United States about Mexican Americans, race, and ethnicity. Molina demonstrates that despite the multiplicity of influences that help shape our concept of race, common themes prevail. Examining legal, political, social, and cultural sources related to immigration, she advances the theory that our understanding of race is socially constructed in relational waysÑthat is, in correspondence to other groups. Molina introduces and explains her central theory, racial scripts, which highlights the ways in which the lives of racialized groups are linked across time and space and thereby affect one another. How Race Is Made in America also shows that these racial scripts are easily adopted and adapted to apply to different racial groups.