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Mental Files
François Recanati presents his theory of mental files, a new way of understanding reference in language and thought. He aims to recast the 'nondescriptivist' approach to reference that has dominated the philosophy of language and mind in the late twentieth century. According to Recanati, we refer through mental files, which play the role of so-called 'modes of presentation'. The reference of linguistic expressions is inherited from that of the files we associate with them. The reference of a file is determined relationally, not satisfactionally: so a file is not to be equated to the body of (mis)information it contains. Files are like singular terms in the language of thought, with a nondes...
The Dissidence of Reinaldo Arenas
International Latino Book Awards, Honorable Mention, Best Biography (English) American Educational Research Association, Division B: Curriculum Studies, Outstanding Book Award Focusing on the didactic nature of the work of Reinaldo Arenas, this book demonstrates the Cuban writer’s influence as public pedagogue, mentor, and social activist whose teaching on resistance to normative ideologies resonates in societies past, present, and future. Through a multidisciplinary approach bridging educational, historiographic, and literary perspectives, The Dissidence of Reinaldo Arenas illuminates how Arenas’s work remains a cutting-edge source of inspiration for today’s audiences, particularly LG...
Events of Putting and Taking
Events of putting things in places, and removing them from places, are fundamental activities of human experience. But do speakers of different languages construe such events in the same way when describing them? This volume investigates placement and removal event descriptions from 18 areally, genetically, and typologically diverse languages. Each chapter describes the lexical and grammatical means used to describe such events, and further investigates one of the following themes: syntax-semantics mappings, lexical semantics, and asymmetries in the encoding of placement versus removal events. The chapters demonstrate considerable crosslinguistic variation in the encoding of this domain, as well as commonalities, e.g. in the semantic distinctions that recur across languages, and in the asymmetric treatment of placement versus removal events. This volume provides a significant contribution within the emerging field of semantic typology, and will be of interest to researchers interested in the language-cognition interface, including linguists, psychologists, anthropologists, and philosophers.
Nino Rota
Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music – for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what's on screen, Rota's music is close and affectionate towards characters and events but still res...
Corrupt Circles
The pervasiveness of corruption has been aided by the readiness of both Peruvians and the international community to turn a blind eye.
Death by a Thousand Cuts
According to Plato, democracies die when people get angry. Resentment causes them to vote for demagogues. Recently, democratically elected politicians have used crises as a pretext for dismantling democracy, following a pattern we have seen since the dawn of civilization. Why do people fall for the lure of dictatorships? And what can we learn from the cause and effects of dictatorships to understand why democracies die? In this new edition of Matt Qvortrup’s acclaimed monograph Death By A Thousand Cuts, the author shows how neuroscience can help us understand why people willingly give up their democratic rights or are unwillingly forced to do so. Death by a Thousand Cuts: Neuropolitics, Thymos, and the Slow Demise of Democracy is written in an accessible style with vignettes and new empirical data to provide historical context and neurological evidence on a much-discussed topic: the threat of democracy. This book will help readers who are concerned about the longevity of democracy understand when and why democracy is in danger of collapsing and alert them to the warning signs of its demise.
Spanishness in the Spanish Novel and Cinema of the 20th – 21st Century
Spanishness in the Spanish Novel and Cinema of the 20th-21st Century is an exploration of the general concept of “Spanishness” as all things related to Spain, specifically as the multiple meanings of “Spanishness” and the different ways of being Spanish are depicted in 20th-21st century literary and cinematic fiction of Spain. This book also represents a call for a re-evaluation of what being Spanish means not just in post-Franco Spain but also in the Spain of the new millennium. The reader will find treatments of some of the crucial themes in Spanish culture such as immigration, nationalisms, and affiliation with the European Union as well as many others of contemporary relevance such as time, memory, and women studies that defy exclusivist and clear-cut single notions of Spanishness. These explorations will help contextualize what it means to be Spanish in present day Spain and in the light of globalization while also dissipating stereotypical notions of Spain and Spanishness.
New Essays on Singular Thought
New Essays on Singular Thought presents ten new, specially written essays on an issue central to philosophy of mind, language, and perception: the nature of our thought about the external world. Is our thought about objects in the world always descriptive, mediated by our conceptions of those objects? Or is some of our thought somehow more direct, singular, associated more intimately with our perceptual, linguistic, and socially mediated relations to them? Leading experts in the field contributing to this volume make the case for the singularity of thought and debate a broad spectrum of issues it raises, including the structure of singular thought, the role of acquaintance in perception- and communication-based reference, the semantics of fictional and mythical terms, and the merits of epistemic, cognitive, and linguistic conditions on singular thought. Their essays explore new directions for future research and will be an important resource for anyone working at the interface of semantics and mental representation.
Rock Aesthetics in Colombian Literature and Culture
Rock Aesthetics in Colombian Literature and Culture: Writing the Noise explores the presence of a rock aesthetic in the Colombian literary field and how its pivotal role in creating alternative creative expressions that challenge the dominance of tropicality as the prevailing artistic reference. More than a musical genre or a cultural industry, rock is also an aesthetic: a significant social practice that allows one to understand what people consider beautiful or authentic. Since its birth in the mid-1950s, rock as an aesthetic has expanded worldwide, transforming and establishing dialogues with artistic practices such as literature. Through an analysis of a series of novels, poems, and manifestos written from the 1950s to the early years of the twenty-first century, David Martínez Houghton embarks on a literary, musical, and historical journey. On the way, he explores complex phenomena such as urban violence, the formation of youth identities, the penetration of pop culture, national identity discourses, and even the social and physical transformation of Colombian cities.
