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Poetry in the Wars
In the two world wars and throughout the present Troubles in Northern Ireland, poets have insisted on not serving any political or nationalist case.
Poetry & Posterity
Edna Longley's latest collection of critical essays marks a move back from Irish culture and politics to poetry itself as the critic's central concern. She considers how poets are read and received at different times and in different contexts, by academics as well as by a wider readership, and from Irish, English and American viewpoints. But her interest in the reception of poetry is still very much influenced by debates about literature and politics in a Northern Ireland context, and in the book's final essay she relates poetry to the "peace process". In two of these essays, The Poetics of Celt and Saxon and Pastoral Theologies, she has some fun with mutual stereotypes (the Hughes or Heaney...
The Annotated Collected Poems
Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914. In April 1917 he was killed at Arras. This book includes all his poems and draws on freshly available archive material.
History and Memory in Modern Ireland
A 2001 volume of essays about the relationship between past and present in Irish society.
Incorrigibly Plural
Incorrigibly Plural celebrates the diversity and vitality of Louis MacNeice's writing. Poets and critics illuminate the work of a writer whose achievement and influence is increasingly recognised as central to modern poetry in English. Contributions include responses to MacNeice by poets such as Paul Farley, Leontia Flynn, Nick Laird, Derek Mahon, Glyn Maxwell and Paul Muldoon; discussions by critics such as Neil Corcoran, Valentine Cunningham, Hugh Haughton, Peter McDonald and Clair Wills; and more biographical accounts, including a memoir by MacNeice's son, the late Dan MacNeice. For each of them, MacNeice remains a continuing presence for his insight into the mechanisms of the modern world, his complex political awareness, his ability to bring the historical moment alive. Above all, what emerges is pleasure in MacNeice's plurality of language and forms. More than a retrospective work of criticism, Incorrigibly Plural belongs to live debates about contemporary poetry.
Field Day Review
Talking about contemporary Ireland, this work also looks at literary criticism, fiction, history, politics, and art."
Paul Muldoon
The essays in this book testify to the fascination of Paul Muldoon’s poems, and also to their underlying contentiousness. The contributors see Muldoon from many different angles – biographical, formal, literary-historical, generic – but also direct attention to complex moments of creativity in which an extraordinary amount of originality is concentrated, and on the clarity of which a lot depends. In their different ways, all of the essays return to the question of what a poem can "tell" us, whether about its author, about itself, or about the world in which it comes into being. The contributors, even in the degree to which they bring to light areas of disagreement about Muldoon’s strengths and weaknesses, continue a conversation about what poems (and poets) can tell us.
The Candlelight Master
*AN IRISH TIMES BOOK OF THE YEAR* 'I can't bear the thought of a world without Michael Longley, yet his poetry keeps hurtling towards that fact more and more urgently as it stretches in an unflinching way beyond comfort or certainty.' So wrote Maria Johnston, reviewing Longley's previous book Angel Hill. Yet The Candlelight Master does not only face into shadows. The title poem sums up the chiaroscuro of this collection, named after a mysterious Baroque painter. Other poems about painters - Matisse, Bonnard - imply that age makes the quest for artistic perfection all the more vital. A poem addressed to the eighth-century Japanese poet, Otomo Yakamochi, says: 'We gaze on our soul-landscapes /...
Inventing Ireland
Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.
