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Southeast Asian Independent Cinema
The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and ...
First Globalization
First Globalization presents an original and sweeping conceptualization of the grand cultural-civilizational encounter between Asia and Europe. Now largely taken for granted, the exchange resonates in multiple ways even today. Offering a 'metageography' of the vast Eurasian zone, Geoffrey C. Gunn shows how between 1500 and 1800, a lively two-way flow in ideas, philosophies, and cultural products brought competing civilizations into serious dialogue and mostly peaceful exchange. In Europe, the interaction was reflected in missionary reporting, cartographic representations, literary productions, and intellectual fashions, alongside the business of commerce and plunder (when it reached the Amer...
Globalizing the Avant-Garde
How has the process of globalization shaped artistic practices on the one hand, and art history and theory on the other? The contributions in this volume approach this question from a range of perspectives, taking into account the role of travel, for example, or practitioners’ increasing knowledge of other cultures, art’s increasing awareness of itself as existing on a global level, literary translation, the advance of technology, and the ever-changing grand narratives of art history. As well as reflections on European avant-gardes and neo-avant-gardes, the collection features discussions of Japan, Latin America, Africa, Asia and the Pacific. As a whole, the volume engages with broader current discourses about cultural globalization, and features input from leading scholars around the world as well as some important novel interventions by early-career researchers. The authors not only make a major contribution to the evolution of avant-garde studies, but also offer valuable, original points of view to art history and to the cultural theory of globalization more broadly.
