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"Jose Emilio Pacheco (1939- ) is Mexico's foremost living poet, and a major figure in contemporary Latin American poetry. Jose Emilio Pacheco and the Poets of the Shadows examines the dynamic of literary influence and the question of literary origins in Pacheco's first six books of poetry (1960s to mid-1980s). Ronald J. Friis appropriates Bloom's theory of poetic influence to investigate how Pacheco deploys literary allusions and intertextual references as a means of decentering the traditional centrality of the figure of the author. The poets of the shadows to which the title refers include Pacheco's precursors from prior generations of Mexican and Latin American literature, particularly Jorge Luis Borges, Alfonso Reyes, and Octavio Paz."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The leading poet of his generation, Jose Emilio Pacheco is one of Mexico's most esteemed and beloved writers. City of Memory and Other Poems presents two of his finest poetry collections, accompanied by beautifully rendered translations. The first, "City of Memory," touches on Pacheco's major literary obsessions: the destructive effects of time; the essential egotism and cruelty of the natural world, with humankind at its violent center; and the capacity of the human spirit to achieve transcendence. The second, "I watch the Earth," is an emotional catharsis, the poet's mediation on the tragic earthquake that devastated his native Mexico City in 1985. Together, these poems paint a vivid pictu...
A comprehensive, encyclopedic guide to the authors, works, and topics crucial to the literature of Central and South America and the Caribbean, the Encyclopedia of Latin American Literature includes over 400 entries written by experts in the field of Latin American studies. Most entries are of 1500 words but the encyclopedia also includes survey articles of up to 10,000 words on the literature of individual countries, of the colonial period, and of ethnic minorities, including the Hispanic communities in the United States. Besides presenting and illuminating the traditional canon, the encyclopedia also stresses the contribution made by women authors and by contemporary writers. Outstanding Reference Source Outstanding Reference Book
This is the first major retrospective gathering to appear in an English-Spanish bilingual format of the work of one of Mexico's foremost writers. It is a glittering and giant technical achievement, as brilliant and instantly visible as Hart Crane's The Bridge.
A comprehensive, encyclopedic guide to the authors, works, and topics crucial to the literature of Central and South America and the Caribbean, the Encyclopedia of Latin American Literature includes over 400 entries written by experts in the field of Latin American studies. Most entries are of 1500 words but the encyclopedia also includes survey articles of up to 10,000 words on the literature of individual countries, of the colonial period, and of ethnic minorities, including the Hispanic communities in the United States. Besides presenting and illuminating the traditional canon, the encyclopedia also stresses the contribution made by women authors and by contemporary writers. Outstanding Reference Source Outstanding Reference Book
Intense, despairing accounts of life in Mexico City. Seven stories depict harsh realities of life in urban Mexico and the tragedies of childhood innocence betrayed.
This heart-breaking novella is a key work of 20th-century dystopian Mexican literature and sadly all too apropos today This landmark novella—one of the central texts of Mexican literature, is eerily relevant to our current dark times—offers a child’s-eye view of a society beset by dictators, disease, and natural disasters, set in “the year of polio, foot-and-mouth disease, floods.” A middle-class boy grows up in a world of children aping adults (mock wars at recess pit Arabs against Jews), where a child’s left to ponder “how many evils and catastrophes we have yet to witness.” When Carlos laments the cruelty and corruption, the evils of a vicious class system, his older broth...
A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other into the self, these authors took up Brazili...