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The Time Ship
H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacronópete—"He who flies against time"—eight years before Wells's influential work appeared. The novel begins at the 1878 Paris Exposition, where Dr. Don Sindulfo unveils his new invention—which looks like a giant sailing vessel. Soon the doctor embarks on a voyage back in time, accompanied by a motley crew of French prostitutes and Spanish soldiers. The purpose of his expedition is to track down the imprisoned wife of a third-century Chinese emperor, believed to possess the secret to immortality. A classic tale of obsession, high adventure, and star-crossed love, The Time Ship includes intricately drawn illustrations from the original 1887 edition, and a critical introduction that argues persuasively for The Time Ship's historical importance to science fiction and world literature.
A Tale of Survival
A Tale of Survival is an explosive story that is much more than a simple memoir of an Hispanic woman: it is an important, quintessential American story of adversity and perseverance. This is a brutally honest and provocative tale of not merely survival but success from one who came from a time and place where success and upward mobility for a Mexican-American was not only unlikely but damn near impossible. Unlike some other Hispanic memoirs, Grace Flores-Hughes describes her childhood and transition to adulthood and beyond, against the tapestry of the modern Hispanic experience and the sometimes turbulent era of the rebellious baby-boomer generation. She writes of assimilation, racial and et...
The Center for Research Libraries Catalogue: Cook, Thos. - Heyde
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The Anacronopete
A satirical take on time travel, written before HG Wells, that starts in Paris in the late nineteenth century and takes the reader to China, Pompeii, and Mount Ararat at all the key moments in history. Witty and playful, it is at once a biting commentary on human arrogance as well as a lively panorama of 19th-century cultural life seen largely through the eyes of an eccentric Spaniard.
The Nineteenth-Century Theatre in Spain
First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.
Scripted Geographies
This study offers the first book-length exploration of travel narratives by nineteenth-century Spanish authors. Focusing on texts produced during a crucial period in the development of Spain's modern consciousness at the close of its imperial age, Scripted Geographies shows how writers' strategies of travel representation reflected and participated in this process of cultural transformation. The first two chapters, devoted to travel within Europe, explore constructions of Spain's sometimes problematic encounter with Western society and traditions. The final chapters shift to orientalist travel, allowing reflection on how Spanish renderings of the non-Western other intersect with patterns found in the better-known corpus of orientalist literature produced in then-ascendant imperial powers like Britain and France. These textual constructions of cultural difference reflect at a profound level their authors' preoccupations and hopes for Spain, as well as their strong awareness of both the powers and dangers inherent in the process of representing real world experience via language. Professor of Spanish at the University of Vermont.
Time Travel
This “stimulating contribution to literary theory” reveals the deeply philosophical concerns and developments behind popular time travel sci-fi (London Review of Books). In Time Travel, literary theorist David Wittenberg argues that time travel fiction is not mere escapism, but a narrative “laboratory” where theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are presented in story form. Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, Wittenberg links innovations in time travel fiction to specific shifts in the popularization of science, from nineteenth-century evolutionary b...
Secondhand China
This transcultural study of cultural production brings to light the ways Spanish literature imagined China by relying on English- and French-language sources. Carles Prado-Fonts examines how the simultaneous dependence on and obscuring of translation in these cross-cultural representations created the illusion of a homogeneous West. He argues that Orientalism became an instrument of hegemony not only between “the West and the rest” but also within the West itself, where Spanish writers used representations of China to connect themselves to Europe, hone a national voice, or forward ideas of political and cultural modernity. Uncovering an eclectic and surprising archive, Prado-Fonts draws ...
Vintage Visions
Vintage Visions is a seminal collection of scholarly essays on early works of science fiction and its antecedents. From Cyrano de Bergerac in 1657 to Olaf Stapledon in 1937, this anthology focuses on an unusually broad range of authors and works in the genre as it emerged across the globe, including the United States, Russia, Europe, and Latin America. The book includes material that will be of interest to both scholars and fans, including an extensive bibliography of criticism on early science fiction—the first of its kind—and a chronological listing of 150 key early works. Before Dr. Strangelove, future-war fiction was hugely popular in nineteenth-century Great Britain. Before Terminator, a French author depicted Thomas Edison as the creator of the perfect female android. These works and others are featured in this critical anthology. Contributors include Paul K. Alkon, Andrea Bell, Josh Bernatchez, I. F. Clarke, William J. Fanning Jr., William B. Fischer, Allison de Fren, Susan Gubar, Rachel Haywood Ferreira, Kamila Kinyon, Stanislaw Lem, Patrick A. McCarthy, Sylvie Romanowski, Nicholas Ruddick, and Gary Westfahl. Hardcover is un-jacketed.
