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Looking at Laughter
In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.
Visual Style and Constructing Identity in the Hellenistic World
A new interpretation of Nemrud Dağ, a key Hellenistic monument which encompasses both Greek and Persian elements.
Rome Is Burning
"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire ...
Vergil ́s Political Commentary
In the book titled Vergil's political commentary in Eclogues, Georgics and Aeneid, the author examines Vergil’s political views by analyzing the whole of the poet’s work. He introduces the notion of the functional model suggesting that the poet often used this instrument when making a political statement. New interpretations of a number of the Eclogues and passages of the Georgics and the Aeneid are suggested and the author concludes that Vergil’s political engagement is visible in much of his work. During his whole career the poet was consistent in his views on several major political themes. These varied from, the distress caused by the violation of the countryside during and after t...
Emperors and Ancestors
Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The ...
Volcanic
A vibrant, diverse history of Vesuvius and the Bay of Naples in the age of Romanticism Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.
The Representation and Perception of Roman Imperial Power
From the days of the emperor Augustus (27 B.C.-A.D. 14) the emperor and his court had a quintessential position within the Roman Empire. It is therefore clear that when the Impact of the Roman Empire is analysed, the impact of the emperor and those surrounding him is a central issue. The study of the representation and perception of Roman imperial power is a multifaceted area of research, which greatly helps our understanding of Roman society. In its successive parts this volume focuses on 1. The representation and perception of Roman imperial power through particular media: literary texts, inscriptions, coins, monuments, ornaments, and insignia, but also nicknames and death-bed scenes. 2. The representation and perception of Roman imperial power in the city of Rome and the various provinces. 3. The representation of power by individual emperors.
Houses of Ill Repute
Houses of Ill Repute is the first book to focus on the difficulties of distinguishing between private homes and buildings, such as brothels and taverns, which housed activities neither public nor private in ancient Greece, providing a way forward for the study of domestic and entertainment spaces in the Hellenic world.
Herodotus and the topography of Xerxes’ invasion
In his Histories, Herodotus of Halicarnassus gave an account of Xerxes’ invasion of Greece (480 BCE). Among the information in this work features a rich topography of the places visited by the army, as well as of the battlefields. Apparently there existed a certain demand among the Greeks to behold the exact places where they believed that the Greeks had fallen, gods had appeared, or Xerxes had watched over his men. This book argues that Herodotus’ topography, long taken at face value as if it provided unambiguous access to the historical sites of the war, may partly be a product of Greek imagination in the approximately fifty years between the Xerxes’ invasion and its publication, with the landscape functioning as a catalyst. This innovative approach leads to a new understanding of the topography of the invasion, and of the ways in which Greeks in the late fifth century BCE understood the world around them. It also prompts new suggestions about the real-world locations of various places mentioned in Herodotus’ text.
Nemrud Dagi
This richly illustrated book presents in detail the sanctuaries built during the reign of Antiochus I of Commagene (ca. 75-36 BCE), including the three large tombs and ten cult places, and discusses Antiochus’ rule in the context of his religious program and cult of the divine ruler. This book is the final publication of the results of the International Nemrud Daği Project 2001–2003.
