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Combining deft musical analysis and intriguing personal insight, Azzi and Collier vividly capture the life of Piazolla, the Argentinean musician--a visionary who won worldwide acclaim but sparked bitter controversy in his native land. 42 halftones.
Does populism indicate a radical crisis in Western democratic political systems? Is it a revolt by those who feel they have too little voice in the affairs of state or are otherwise marginalized or oppressed? Or are populist movements part of the democratic process? Bringing together different anthropological experiences of current populist movements, this volume makes a timely contribution to these questions. Contrary to more conventional interpretations of populism as crisis, the authors instead recognize populism as integral to Western democratic systems. In doing so, the volume provides an important critique that exposes the exclusionary essentialisms spread by populist rhetoric while also directing attention to local views of political accountability and historical consciousness that are key to understanding this paradox of democracy.
García Márquez left only his words: a dozen novels, a book of his short stories, several unforgettable reports, another book with his speeches, hundreds of interviews and reports, five volumes of his newspaper columns, and according to some reports, an unpublished novel. In all of them there are brilliant episodes that provide even the most unsuspecting reader with many satisfying moments. The best, most meaningful and lasting memory, and the most valuable tribute to someone who throughout his life firmly repeated, “I write so that my friends love me more,” is by reading his work. Digital edition: Luna Libros, eLibros
The Cambridge History of Latin American Literature is by far the most comprehensive work of its kind ever written. Its three volumes cover the whole sweep of Latin American literature (including Brazilian) from pre-Colombian times to the present, and contain chapters on Latin American writing in the USA. Volume 3 is devoted partly to the history of Brazilian literature, from the earliest writing through the colonial period and the Portuguese-language traditions of the nineteenth and twentieth centuries; and partly also to an extensive bibliographical section in which annotated reading lists relating to the chapters in all three volumes of The Cambridge History of Latin American Literature are presented. These bibliographies are a unique feature of the History, further enhancing its immense value as a reference work.
This is a comparative literary study of apocalyptic themes and narrative techniques in the contemporary North and Latin American novel. Zamora explores the history of the myth of apocalypse, from the Bible to medieval and later interpretations, and relates this to the development of American apocalyptic attitudes. She demonstrates that the symbolic tensions inherent in the apocalytic myth have special meaning for postmodern writers. Zamora focuses her examination on the relationship between the temporal ends and the narrative endings in the works of six major novelists: Gabriel Garcia Marquez, Thomas Pynchon, Julio Cortazar, John Barth, Walker Percy, and Carlos Fuentes. Distinguished by its unique, cross-cultural perspective, this book addresses the question of the apocalypse as a matter of intellectual and literary history. Zamora's analysis will enlighten both scholars of North and Latin American literature and readers of contemporary fiction.
Here is the story of political prisoners finally freed in December 2014, after being held captive by the United States since the late 1990s. Through the 1980s and 1990s, violent anti-Castro groups based in Florida carried out hundreds of military attacks on Cuba, bombing hotels and shooting up Cuban beaches with machine guns. The Cuban government struck back with the Wasp Network—a dozen men and two women—sent to infiltrate those organizations. The Last Soldiers of the Cold War tells the story of those unlikely Cuban spies and their eventual unmasking and prosecution by US authorities. Five of the Cubans received long or life prison terms on charges of espionage and murder. Global best-selling Brazilian author Fernando Morais narrates the riveting tale of the Cuban Five in vivid, page-turning detail, delving into the decades-long conflict between Cuba and the US, the growth of the powerful Cuban exile community in Florida, and a trial that eight Nobel Prize winners condemned as a travesty of justice. The Last Soldiers of the Cold War is both a real-life spy thriller and a searching examination of the Cold War’s legacy.
What was the greatest goal of all time? Why do the Hungarians have a more philosophical sense of defeat than the Mexicans? Do the dead play soccer? On a planet where FIFA has more members than the United Nations, Juan Villoro's examination of soccer and its 3.5 billion-person fandom has stakes beyond those of such playful questions. Soccer is more than just a game; it is a catalyst for panglobal unity and even, Villoro suggests, the "recovery of childhood."
This “heartbreaking biography” of the Communist revolutionary “is filled with high drama,” daring escapes, and eventual imprisonment in Nazi Germany (Publishers Weekly). A German-born Jew, Olga Benario was one of the most remarkable Communist activists of the twentieth century. With a genius for organization and an unwavering devotion, she crisscrossed the globe educating and activating legions to combat the worldwide plagues of Nazism and fascism. At the age of nineteen, she masterminded a daring prison raid to free her lover, the Communist intellectual Otto Braun. Together they escaped to Moscow, where they quickly rose in the ranks of the international Communist movement. At twent...