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Quantum Theory, together with the principles of special and general relativity, constitute a scientific revolution that has profoundly influenced the way in which we think about the universe and the fundamental forces that govern it. The Historical Development of Quantum Theory is a definitive historical study of that scientific work and the human struggles that accompanied it from the beginning. Drawing upon such materials as the resources of the Archives for the History of Quantum Physics, the Niels Bohr Archives, and the archives and scientific correspondence of the principal quantum physicists, as well as Jagdish Mehra's personal discussions over many years with most of the architects of quantum theory, the authors have written a rigorous scientific history of quantum theory in a deeply human context. This multivolume work presents a rich account of an intellectual triumph: a unique analysis of the creative scientific process. The Historical Development of Quantum Theory is science, history, and biography, all wrapped in the story of a great human enterprise. Its lessons will be an aid to those working in the sciences and humanities alike.
The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to 'make it new'). Where did that will to experiment come from? Why did it so insistently take the forms ittook? Looking specifically at Modernism in England, David Trotter seeks answers in the careers of three novelists writing in the first decades of the century: Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis. The context he proposes for their work is that of contemporary understandings of thefunction and value of expertise, and of the dilemmas peculiar to those possessing it. There is a certain madnes...
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Approaches the psychopathology of schizophrenia from the perspective of its symptoms rather than the global syndrome. Each chapter, by a recognized authority in the field, covers definition, measurement, frequency of occurrence, a review of clinical and experimental findings leading to current theories regarding the causes of the symptom, its functional relationship to other schizophrenic symptoms and implications for clinical practice.
What I hoped would be my great adventure has become more exciting than even I could have imagined, Sydney Blanchett ponders as she stands outside the magnificent abbey of Mont Saint-Michel in Normandy France. I joked that while I studied the history and architecture of the monastery, I would solve the Mont’s many ancient unsolved mysteries. How could I have known I’d be helping to solve a real-life mystery, one that’s complicated and possibly life-threatening? After a murder occurs on the Mont, Sydney, along with the monks and nuns who inhabit the monastery; her professor, Armand Toussaint; and a police inspecteur, Marcel Caron; set out to identify the killer. As they uncover clues, Sydney faces terrifying encounters that could make her the next person to be murdered on the Mont. From beginning to end, Ann Port’s ninth novel, Murder on the Mont, is a page-turner that challenges the reader to figure out “who done it.”
A panorama of Europe, 1900-1914, describing the cultural, economic and political life before the First World War. Europe, early in the twentieth century: a world adrift, a pulsating era of creativity and contradictions. But did this era vanish in the trenches of the Somme, of Ypres, and of Passchendaele? Look closer and the more this world seems like ours: feminism, democratisation, commercial branding, genetics, consumerism and racism, radioactivity and psychoanalysis are all terms first used during this period. This was a time in which old certainties broke down and many people lost their bearings. At the heart of this vibrant Europe, was a contradiction that would cause its collapse: the ...
Volumes in the Trends in Linguistics. Documentation series focus on the presentation of linguistic data. The series addresses the sustained interest in linguistic descriptions, dictionaries, grammars and editions of under-described and hitherto undocumented languages. All world-regions and time periods are represented.
This companion demonstrates how art, craft, and visual culture education activate social imagination and action that is equity- and justice-driven. Specifically, this book provides arts-engaged, intersectional understandings of decolonization in the contemporary art world that cross disciplinary lines. Visual and traditional essays in this book combine current scholarship with pragmatic strategies and insights grounded in the reality of socio-cultural, political, and economic communities across the globe. Across three sections (creative shorts, enacted encounters, and ruminative research), a diverse group of authors address themes of histories, space and land, mind and body, and the digital realm. Chapters highlight and illustrate how artists, educators, and researchers grapple with decolonial methods, theories, and strategies—in research, artmaking, and pedagogical practice. Each chapter includes discursive questions and resources for further engagement with the topics at hand. The book is targeted towards scholars and practitioners of art education, studio art, and art history, K-12 art teachers, as well as artist educators and teaching artists in museums and communities.
"The most interesting Dutch writer of his generation" Herman Koch "Vivid and moving. A marvellous hybrid of a book about one of the major contemporary causes of sickness and unhappiness. In it we recognise ourselves, our restlessness and insecurity" George Szirtes Something inside will not let me be . . . Daan Heerma van Voss is not just anxious. According to tests on the cortisone levels in his hair, he is seventy-four times as anxious as the average person. And that makes him hard to live with. When another relationship is broken by his crippling fears, the only way to cope is to get to the roots of his condition. But he also wants to dig deeper and tackle the big questions. Why are 264 mi...
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