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Educar
Educar: Camino de Cercanía y de Encuentro, es un acercamiento a las Pedagogías que privilegian la “dignidad humana”, contrarias a la “Pedagogía del Oprimido” y la “Pedagogía Cosmética”, que utilizadas en las aulas –conscientemente o con inconciencia- como instrumento de opresión, deforman la mentalidad y la identidad individual de los estudiantes. Educar: Camino de Cercanía y Encuentro es una humilde aproximación a la Pedagogía de la Projimidad o Misericordia que es una invitación educativa a “detenerse”, a “dar” y “darse” al mundo; a tomar riesgos en favor de las personas que sufren en los caminos de todas las periferias, a cuidar a los estudiantes marginados, ninguneados e invisibilizados. A ser “sanantes cuidadores” de la integridad humana de los escolares.
Rosario
Novela romántica ambientada en una finca cafetalera rural de la Antigua Guatemala en el contexto del conflicto armado interno del país. Juan de Santa María, joven profesor recién graduado, se enamora de Rosario, campesina adolescente, que vive con su abuela. Juan de Santamaría, junto a Jorge, amigo suyo, es capturado por un grupo paramilitar debido a que los jóvenes se dedican a concientizar a campesinos en temas de justicia social para procurarles una vida más digna, hecho que pone fin a la relación amorosa de los protagonistas de la historia. El relato pone de manifiesto la belleza arquitectónica, natural y cultural de Antigua Guatemala y la importancia del amor y de los valores familiares.
Filosofía con IA
“FILOSOFÍA CON IA, 52 semanas con los pensamientos de algunas filósofas notables, Vol. 1”, es el resultado de una inquietud de descubrimiento y aprendizaje, luego de leer los libros: INTELIGENCIA ARTIFICIAL, de Rouhiainen Lasse e INTELIGENCIA ARTIFICIAL EN EDUCACION - TERCERO EN DISCORDIA de Diego Craig.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
The Brothers
Introducing a major new voice in Brazilian letters. Set among a Lebanese immigrant community in the Brazilian port of Manaus, The Brothers is the story of identical twins, Yaqub and Omar, whose mutual jealousy is offset only by their love for their mother. But it is Omar who is the object of Zana's Jocasta-like passion, while her husband, Halim, feels her slipping away from him, as their beautiful daughter, RGnia, makes a tragic claim on her brothers' affection. Vivid, exotic, and lushly atmospheric, The Brothers is the story of a family's disintegration, of a changing city and the culture clash between the native-born inhabitants and a new immigrant group, and of the future the next generation will make from the ruins.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
The Zapatista Movement and Mexico's Democratic Transition
Transitions from authoritarian to democratic governments can provide ripe scenarios for the emergence of new, insurgent political actors and causes. During peaceful transitions, such movements may become influential political players and gain representation for previously neglected interests and sectors of the population. But for this to happen, insurgent social movements need opportunities for mobilization, success, and survival. This book looks at Mexico's Zapatista movement, and why the movement was able to mobilize sympathy and support for the indigenous agenda inside and outside of the country, yet failed to achieve their goals vis-à-vis the Mexican state.
Labyrinth
Notable International Crime Novel of the Year – Crime Reads / Lit Hub From a prize-winning Turkish novelist, a heady, political tale of one man’s search for identity and meaning in Istanbul after the loss of his memory. A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths. From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it? Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.
