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Embattled Home Fronts is an inquiry into the highly conflicted US American experience of World War I as it plays itself out in the diverse body of novelistic works to which it has given rise and by which it has been, in turn, shaped and commemorated. As such, this book naturally concerns itself with the formal aspects of artistic war representation. But rather than merely endeavoring to illustrate how American writers from various backgrounds chose to depict World War I, the present work seeks to uncover the particular ideologies and political practices that inform these representational choices. To this end, Embattled Home Fronts examines both canonized and marginalized US American World Wa...
This study of Joseph Conrad's influential work "Heart of Darkness" presents for the first time the German-language reception of this reference text in the debate on postcolonialism. The spectrum ranges from Conrad's contemporaries (like Kafka) to many canonical authors of the 20th century (including Thomas Mann, Ernst Jünger, Christa Wolf) to the most recent names in literature (i.e. Christian Kracht und Lukas Bärfuss). Beyond the readings of their works, the study contributes to the study of cultural transfers as well as to Conrad philology, and it expands the theory of intertextuality with parameters that capture the complex factor of power in postcolonial relations.
In this unique and significant addition to Vietnam studies, Memories of a Lost War analyzes the poems written by American veterans, protest poets, and Vietnamese, within political, aesthetic, and cultural contexts. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in post-Vietnam America. In its inclusion of Vietnamese perspectives, the book marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than a country.
Ford Madox Ford is a major modernist writer, yet many of his works do not conform to our assumptions about modernism. Examining ways in which he, alongside other 'misfit moderns', undermines 'stabilities' we expect from novels and memoirs, this book poses questions about the nature of narrative and the distinction between modernism and modernity.
Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the “low” into the “high”. The same cannot be said of contemporary art of the 21st century, where the term “Gaga Aesthetics” characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer's "The Culture Industry" and Adorno's Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, ther...
A third section on description in music provides a perspective on yet another medium.The volume, which is the second one in the series 'Studies in Intermediality?, is of relevance to students and scholars from various fields: intermedial studies, literary and film studies, history of art, and musicology.ContentsPreface IntroductionWerner WOLF: Description as a Transmedial Mode of Representation: General Features and Possibilities of Realization in Painting, Fiction and Music Description in Literature and Related (Partly) Verbal MediaAnsgar NUNNING: Towards a Typology,
Scandalous Bodies is an impassioned scholarly study both of literature by diasporic writers and of the contexts within which it is produced. It explores topics ranging from the Canadian government’s multiculturalism policy to media representations of so-called minority groups, from the relationship between realist fiction and history to postmodern constructions of ethnicity, from the multicultural theory of the philosopher Charles Taylor to the cultural responsibilities of diasporic critics such as Kamboureli herself. Smaro Kamboureli proposes no neat or comforting solutions to the problems she addresses. Rather than adhere to a single method of reading or make her argument follow a system...
Despite their box-office success, Tom Stoppard's plays have sometimes aroused academic hostility, his critics accusing Stoppard of cold intellectualism or frivolous showmanship. The purpose of this study is to examine the special problem of Stoppard's use of humor and games in conveying serious ideas. As an actor and director, Anthony Jenkins is concerned not just with the literary merit of Stoppard's plays, but also with the way they are written and shaped by the formal conventions particular to the media of stage, radio, and television. This book studies the stage space of each play as well as the actor's pauses and inner emotions. As a lecturer on drama, Jenkins follows Stoppard's career chronologically so that the radio and television plays are woven in with, and support various claims concerning, the major stage works. Unlike similar critical analyses of Stoppard's theater, this volume discusses all the latest plays, including The Real Thing, The Dog It Was That Died, and Squaring the Circle.
From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many subcultures of Britain's teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers. In this vivid work of cultural history, Stephen Ross explores: · The manic teenage vision of Absolute Beginners · The Angry Young Men of Saturday Night and Sunday Morning · Skinheads and Burgess's A Clockwork Orange · Irony and authenticity in the 1980s – from Amis to Kureishi · Heroin chic, disaffection and Trainspotting Examining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today.