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Fanny Fern is a name that is unfamiliar to most contemporary readers. In this first modern biography, Warren revives the reputation of a once-popular 19th-century newspaper columnist and novelist. Fern, the pseudonym for Sara Payson Willis Parton, was born in 1811 and grew up in a society with strictly defined gender roles. From her rebellious childhood to her adult years as a newspaper columnist, Fern challenged society's definition of women's place with her life and her words. Fern wrote a weekly newspaper column for 21 years and, using colorful language and satirical style, advocated women's rights and called for social reform. Warren blends Fern's life story with an analysis of the social and literary world of 19th-century America.
Fanny Fern dominated the New York literary scene in the 1850s, garnering both esteem and, occasionally, derision for her witty and acerbic newspaper columns and literary criticism; her semi-autobiographical novel Ruth Hall, which traces the rise of an intelligent and determined young woman from poverty to prestige through her pursuit of a writing career, was one of America’s most significant early bestsellers. Fern’s use of informal, vibrantly conversational prose and her abundant colloquialisms marked an important shift in the established literary conventions of nineteenth-century fiction and journalism. This compact edition collects some of Fern’s most frequently taught journalism—much of which focuses on the changing roles of women in nineteenth-century America—along with excerpts from Ruth Hall.
The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parto...
A collection of the writings of Sarah Parton, published under her pen name, Fanny Fern.
Essayist and newspaper columnist Fanny Fern enjoyed a rapid -- and highly unlikely -- rise to fame after an early life beset by tragedy and misfortune. Soon after accepting the position that established her as the highest-paid female writer in the United States, Fern began work on Ruth Hall, a highly autobiographical novel that paralleled her own life experiences in many regards. Today, scholars and critics agree that the novel is an exceptionally well-written exploration of what life as a female literary icon was like in the late nineteenth century.
Fanny Fern was one of the most popular American writers of the mid-nineteenth century, the first woman newspaper columnist in the United States, and the most highly paid newspaper writer of her day. This volume gathers together for the first time almost one hundred selections of her best work as a journalist. Writing on such taboo subjects as prostitution, venereal disease, divorce, and birth control, Fern stripped the façade of convention from some of society's most sacred institutions, targeting cant and hypocrisy, pretentiousness and pomp.
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This book is a collection of essays and sketches by Sarah Willis Parton under the pseudonym Fanny Fern. The author was a popular 19th century American writer and journalist, known for her wit, humor, and social satire. The topics covered in this book include marriage, motherhood, fashion, and women's rights, among others. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the middle of the nineteenth century, the highest paid and most famous newspaper writer in the US was a woman known to the world as Fanny Fern, the nom de plume of Sara Payson Willis. A Fanny Fern Reader features a selection of Fern's columns, mostly from her years as a weekly columnist for the New York Ledger, along with an introduction that shares the remarkable story of Fern's perseverance and success as a woman in a male-dominated profession. For readers in her own time, Fern's frank and unbridled social commentary and boldly satirical voice made her a household name. Fern's subversive and witty commentary about social mores, gender roles, childhood, authorship, and family life transcend time and continue to resonate with and entertain readers today. A Fanny Fern Reader is the most extensive collection of Fern's newspaper writings to date and includes several works that have been out of print for over a century, making this author's writing on a wide range of issues accessible for readers within and outside of classrooms and academic settings.