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Although labor is usually the unique asset upon which poor people can make a living, little is known about the functioning of labor markets in Sub-Saharan Africa. The purpose of this volume is to contribute to the building of knowledge in this area. In this book, the authors use a unique set of identical and simultaneous labor force surveys conducted in seven capitals of Western Africa, as well as in some other African countries (Cameroon, Madagascar, Democratic Republic of Congo) in the 2000s. They present innovative and original results on how people are faring in these labour markets, using up-to-date econometric and statistical methods. Because so little is known about labor markets in t...
Des femmes écrivent l'Afrique est un projet de reconstruction culturelle qui se propose de donner à entendre de par le monde des voix de femmes africaines, pour la plupart méconnues. Depuis son lancement, ce projet a d'ores et déjà abouti à la publication, par la Feminist Press de New York, de trois anthologies régionales en anglais. Les Editions Karthala publient à leur tour les volumes de la collection en traduction française, à Paris. Ce second volume à paraître en français est destiné à transformer radicalement nos perceptions de l'histoire et de la culture de l'Afrique australe. Il comporte des textes d'Afrique du Sud, du Botswana, du Lesotho, de Namibie, du Swaziland et ...
It is 1947 and the workers on the Dakar-Niger Railway have come out on strike. Sembène Ousmane, in this vivid and moving novel, evokes all of the colour, passion and tragedy of those decisive years in history. 'Ever since they left Thiès, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending.' God's Bits of Wood is Sembène Ousmane's internationally renowned novel, based on his own experiences of the landmark 1947 railroad strike that spread across French West Africa. 'A classic.' Guardian 'Ousmane Sembène [was] a crucial figure in Africa's postcolonial cultural awakening.' New York Times 'A powerful story.' Kirkus Translated from the French by Francis Price.
An intense and poised novel in the form of a letter written by Ramatoulaye, who has recently been widowed.
A dollar is a dollar—or so most of us believe. Indeed, it is part of the ideology of our time that money is a single, impersonal instrument that impoverishes social life by reducing relations to cold, hard cash. After all, it's just money. Or is it? Distinguished social scientist and prize-winning author Viviana Zelizer argues against this conventional wisdom. She shows how people have invented their own forms of currency, earmarking money in ways that baffle market theorists, incorporating funds into webs of friendship and family relations, and otherwise varying the process by which spending and saving takes place. Zelizer concentrates on domestic transactions, bestowals of gifts and charitable donations in order to show how individuals, families, governments, and businesses have all prescribed social meaning to money in ways previously unimagined.
A Companion that examines together two pivotal periods of Greek archaeology and offers a rich analysis of early Greek culture A Companion to the Archaeology of Early Greece and the Mediterranean offers an original and inclusive review of two key periods of Greek archaeology, which are typically treated separately—the Late Bronze Age and the Early Iron Age. It presents an in-depth exploration of the society and material culture of Greece and the Mediterranean, from the 14th to the early 7th centuries BC. The two-volume companion sets Aegean developments within their broader geographic and cultural context, and presents the wide-ranging interactions with the Mediterranean. The companion brid...
Ahmadou Kourouma's award winning novel, The Suns of Independence is one of the great classics of Francophone African literature, capturing the dreams and struggles of a newly independent nation. Fama is the last of an ancient line of Dumbuya princes who, before the Europeans came, reigned undisputed over the Malinke tribe. Yet even after independence, Fama is forced to beg for his place amongst the bureaucratic elite. Meanwhile, his wife, Salimata, is desperately attempting to save the Dumbuya legacy from extinction. Beyond the gripping political intrigue, Ahmadou Kourouma weaves together an in-depth tapestry of Malinke culture, blending the everyday experience of 1960s postcolonial life with age-old myths and traditions. 'Perhaps the most remarkable African novelist writing in French.' Guardian