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Meridians are the bridge between the psyche and soma, the system that allows our life force to flow through our body. Each of the twelve main meridians stand for a fundamental life principle and by examining them, we can begin a journey towards better health- as well as freedom and contentment. In this inspirational, easy-to-read deep dive, Mike Mandl uses his own wit and humour to explore the life principles of the meridians and offers a toolbox for self-diagnostic purposes, demonstrating how to strengthen these principles, correct imbalances, and keep in harmony with yourself through daily observation and maintenance. Translating the principles of Traditional Chinese Medicine into an engaging, accessible resource for practitioners and novices alike, this is the perfect first step in harnessing the meridians for your own self-actualisation.
In Dublin, the War of Irish Independence (1919-1921) was an intense and dirty battle between military intelligence agents. While IRA flying columns fought the British Army and the Black and Tans in the countryside, the fighting in Ireland's capital city pitted the wits of IRA commander Michael Collins against the cloak-and-dagger innovations of British Intelligence chief Colonel Ormonde de l'Epee Winter. Drawing on detailed witness statements of Irish participants and documents and biographies from the British side, this history chronicles the covert war of assassinations, arrests, torture and murder that climaxed in the Bloody Sunday mass assassination of British intelligence officers by IRA squads in November 1920.
In 1939, as they leave school, Constance and Sheila vow to keep in touch. Posted to Ireland in the WRNS, Constance marries Fergus, a gregarious Irishman. Before long, stifled by domesticity and motherhood, she envies Sheila, writing poetry and married to the fiercely creative Miles. Gradually, however, a different reality emerges, for Constance has unacknowledged talents of her own, while Sheila's public success is bought at great personal cost. From the war to the 1980s, Constance writes to Sheila of her everyday hopes and sorrows, and through her we learn much of Sheila's gallantry and courage. We learn, too, of the social and political developments that challenge and shape her values, until finally outside events come too close and the fragile balance of Constance's own world is threatened. This is an unforgettable portrait of a friendship, and much more. While Letters from Constance explores personal experiences with humour, tenderness and acuity, it is an equally fascinating microcosm of the years it surveys.
Pulse diagnosis is a notoriously complicated area in Chinese medicine with very few practical or accessible resources available to practitioners to improve their skillset. This clear, didactic manual provides detailed yet user-friendly instructions for a pulse diagnosis method the author has developed called Mai Jing A-B-C, allowing for clinical competency and confidence in pulse diagnosis. Jamie Hamilton draws on pulse methods and techniques found primarily in the 3rd century classic of Chinese medicine, Mai Jing, that have often been overlooked in later centuries. He uses his teaching background to reassess these methods and breaks down incredibly complex concepts into simpler forms to enable learning and immediate application into practice. The method has been honed into six simple steps, each accompanied by detailed case studies to further aid clarity.
Performance art can enrich interpretations of events through injecting doubt and risk. This does not replace traditional methods of gathering evidence, but can activate otherwise elusive empathic aspects. This book examines key issues in the field.
Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing. However, reading them intertextually through select creative practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity. EL Putnam investigates how the digital performances of certain artists, creators, and technologists rupture existing representations of the maternal, taking advantage of the formal properties of digital media. What results are interruptions of visual and aural constructions through an immanent merging of the performing body with digital technologies. Putnam bases her analysis on close examinations of the way certain makers use the formal properties of digital imagery, such as the gap, the glitch, and the lag, as means of rendering images of the maternal uncanny in order to challenge mediation, constituting an aesthetics of interruption. The result is a radical critical strategy for engaging with digital technology and subsequent understandings of the subject that defy current modes of assimilation.
Jewish Ireland: A Social History is an engaging and thoroughly researched panorama of Irish Jewry. Based on library and archival material, private memoirs and oral testimony, it traces Irish-Jewish life from the 1880s when Orthodox Russian Jews, forced to flee Tsarist persecution, began arriving in Ireland without any means of support, little secular education and no understanding of English. Overcoming poverty and antipathy, they established Jewish enclaves around the South Circular Road in Dublin and in townships and cities throughout Ireland, educated themselves from peddlers to professionals and entrepreneurs, took an active part in the Irish civil war and other major conflicts, engaged in national politics and sport and achieved acclaim in literature, art and music. This insightful and often humorous portrayal of a people underlines the contribution made to Ireland by its Jewish citizens and gives an invaluable understanding of the Jewish way of life to the wider community.
This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with – and in turn influenced and led – contemporary performance and Live Art internationally. Co-published with Live Art Development Agency.