Seems you have not registered as a member of localhost.saystem.shop!
You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
Novelization
Examines how films are adapted into novels as a way to rethink the adaptation paradigm of film and literary studies.
Novels Into Film
Spanning comedy, drama, film noir, science fiction, westerns, action adventure, suspense and children's literature, this book offers a detailed survey of adaptations of film adaptations of novels.
The Cabin in the Woods - The Official Movie Novelization
You think you know the story. Five friends go to a remote cabin in the woods. Bad things happen. If you think you know the story, think again. From Joss Whedon, the creator of Buffy the Vampire Slayer, and Drew Goddard, writer of Cloverfield, comes a mind-blowing horror film that turns the genre inside out. This is the official movie novelization.
Comics and Novelization
This book opens a novel perspective on comics and literature interactions. It claims that the two artistic media have always maintained a mutual emulation, for as long as they have coexisted in media culture. To demonstrate this, the present research does not focus on literary adaptations in comics form but rather on a literary corpus that remains virtually unexplored: comics-related novels. The purpose of this volume is to inventory French comics-related novels and to study them. Within the limits of the French-speaking world, this book pieces together a literary history of bande dessinée through its novels, from the nineteenth to twenty-first centuries. Although the comic strip – including the aptly named "graphic novel" – has sometimes been regarded as the disciple of an unsurpassable literary model, do these under-studied adaptations in novel form not rather indicate a mutual relationship, or even an emulation, between the two media?
The Novel After Film
In this provocative and original study, Jonathan Foltz charts the institutional, stylistic and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early twentieth century.
Screening Nature
Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed “posthuman cinema.” It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. Screening Nature offers an extensive resource for teachers, undergraduate students, and more advanced scholars on the intersections between the natural world and the worlds of film. It emphasizes the cross-cultural and geographically diverse relevance of the topic of cinema ecology.
