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Indigenous Peoples and Religious Change
This book explores a range of societies in and around the Pacific and southern Africa in the nineteenth and twentieth centuries that encountered religions introduced from elsewhere, or fashioned their own responses to already established religious traditions. These changes observed through the responses of the receiving societies indicate that religious change is a creative dynamic, rather than a passive acceptance of new ideas, beliefs and practices. While change is often triggered by the introduction of new understandings, it can only become entrenched within a community when it takes on meaning for individuals, and becomes embedded within the social and cultural life of the community.
Inscribing Difference and Resistance
Kniha Inscribing Difference and Resistance: Indigenous Women’s Personal Non-fiction and Life Writing in Australia and North America zkoumá, jak literárně-esejistická tvorba domorodých obyvatelek v USA, Kanadě a Austrálii, publikovaná v 90. letech 20. století, přispěla k formování teoretických východisek tzv. Indigenous feminism (indigenní či domorodý feminismus) a zároveň přispěla k přepsání dominantní historiografie v kontextu těchto osadnických kolonií. Rozbor textů Paully Gunn Allen a Anny Lee Walters z USA, Lee Maracle a Shirley Sterling z Kanady a Jackie Huggins a Doris Pilkington Garimara z Austrálie ukazuje, jak tyto autorky využívají hybridní, multi-žánrový styl, kombinující literární kritiku, historiografii, auto/biografické psaní a fikčně laděné příběhy, k literárnímu vyjádření své odlišné kulturní identity, transgeneračního traumatu z kolonizace a resistence vůči násilné asimilaci.
The Spirit of Praise
In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
Worship and Social Engagement in Urban Aboriginal-led Australian Pentecostal Congregations
Worship and Social Engagement in Urban Aboriginal-led Australian Pentecostal Congregations: (Re)imagining Identity in the Spirit provides an ethnographic account of three Australian Pentecostal congregations with Aboriginal senior leadership. Within this Pentecostalism, Dreaming realities and identities must be brought together with the Christian gospel. Yet current political and economic relationships with the Australian state complicate the possibilities of interactions between culture and Spirit. The result is a matrix or network of these churches stretching across Australia, with Black Australian Pentecostals resisting and accommodating the state through the construction of new and ancient identities. This work occurs most notably in context of the worship ritual, which functions through ritual interaction chains to energise the various social engagement programs these congregations sustain.
Saltwater People
In October of 2001, the Australian High Court confirmed aboriginal title to two thousand kilometres of ocean off the north coast. The decision, which was the result of a seven-year court battle, highlighted aboriginal belief that the sea is a gift from the creator to be used for sustenance, spirituality, identity, and community. This evocative study of the people of northern coastal Australia and their sea worlds illuminates the power of human attachment to place. Saltwater People: The Waves of Memory offers a cross-disciplinary approach to native land claims that incorporates historical and contemporary case studies from not only Australia, but also New Zealand, Scandinavia, the US, and Can...
Creativity in Transition
In an era of intensifying globalization and transnational connectivity, the dynamics of cultural production and the very notion of creativity are in transition. Exploring creative practices in various settings, the book does not only call attention to the spread of modernist discourses of creativity, from the colonial era to the current obsession with ‘innovation’ in neo-liberal capitalist cultural politics, but also to the less visible practices of copying, recycling and reproduction that occur as part and parcel of creative improvization.
The Routledge Companion to the Study of Local Musicking
WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people’s everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.
Multivocality
Multivocality frames vocality as a way to investigate the voice in music, as a concept encompassing all the implications with which voice is inscribed-the negotiation of sound and Self, individual and culture, medium and meaning, ontology and embodiment. Like identity, vocality is fluid and constructed continually; even the most iconic of singers do not simply exercise a static voice throughout a lifetime. As 21st century singers habitually perform across styles, genres, cultural contexts, histories, and identities, the author suggests that they are not only performing in multiple vocalities, but more critically, they are performing multivocality-creating and recreating identity through the ...
Museums, Societies and the Creation of Value
Museums, Societies and the Creation of Value focuses on the ways in which museums and the use of their collections have contributed to, and continue to be engaged with, value creation processes. Including chapters from many of the leading figures in museum anthropology, as well as from outstanding early-career researchers, this volume presents a diverse range of international case studies that bridge the gap between theory and practice. It demonstrates that ethnographic collections and the museums that hold and curate them have played a central role in the value creation processes that have changed attitudes to cultural differences. The essays engage richly with many of the important issues ...
New Approach to Cultural Heritage
This book addresses questions about theories of heritage, its methodologies of research, and where its boundaries lie with tourism, urban development, post-disaster recovery, collective identities, memory, or conflict. This book is a collection of heritage studies from a critical perspective as a product of the 2018 ACHS (Association of Critical Heritage Studies) Conference in Hangzhou, the largest conference of its kind in Asia. The contributors cover a wide spectrum of issues in heritage studies, such as heritage management, accessibility to heritage, heritage conservation and heritage policy, and heritage representation. It also examines the various contexts within which heritage emerges ...
