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Animals in Art and Thought
Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.
Handbook of Specialty Elastomers
Written and edited by experts on specialty elastomers applications in the mechanical and automotive products industries, the Handbook of Specialty Elastomers provides a single source reference for the design of compounds using specialty elastomers. This book defines specialty elastomers as heat-, oil-, fuel-, and solvent-resistant polymer
An Unnatural Order
First published by Simon & Schuster in 1993 and then by Continuum in 1998, Jim Mason's An Unnatural Order has become a classic. Now in a new Lantern edition, the book explores, from an anthropological, sociocultural, and holistic perspective, how and why we have cut ourselves off from other animals and the natural world, and the toll this has taken on our consciousness, our ability to steward nature wisely, and the will to control our own tendencies. Jim Mason writes: "My own view is that the primal worldview, updated by a scientific understanding of the living world, offers the best hope for a human spirituality. Life on earth is the miracle, the sacred. The dynamic living world is the crea...
Art History: The Basics
Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university. It will give you answers to questions like: What is art and art history? What are the main methodologies used to understand art? How have ideas about form, sex and gender shaped representation? What connects art with psychoanalysis, semiotics and Marxism? How are globalization and postmodernism changing art and art history? Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
Time in Antiquity
Time in Antiquity explores the different perceptions of time from Classical antiquity, principally through the technology designed to measure, mark or tell time. The material discussed ranges from the sixth century BC in archaic Greece to the 3rd century AD in the Roman Empire, and offers fascinating insights into ordinary people’s perceptions of time and time-keeping instruments.
The Oxford History of Western Art
The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tour...
Art and Form
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with th...
