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DIVRecognized authority in the field discusses painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini; also comments on causes of fresco destruction and how to restore works of art. /div
by individual essays by Chandler, spotlighting the careers of more than fifty artists currently creating abstract works in Colorado." --Book Jacket.
The Race is a novel about the discovery of fifteen Supermarine Spitfire airplanes buried in Burma at the end of World War II and their subsequent excavation, acquisition, and transformation into state-of-the-art floatplanes, capable of traveling long distances and landing at sea. Fifteen women of different backgrounds are ultimately chosen to pilot the planes in a trans-Pacific race from Tokyo to San Francisco. Beyond their private narratives, each woman experiences a larger dialogue about culture and gender issues, the moral and ecological state of our planet, the human condition, and the universal need for compassion. Evolving around stories and narrative fictions seen as photographic fact, The Race is a logical extension of Nagatani's visual campaigns. His lifelong interests in Buddhism, fiction and poetry, alternative medicine, indigenous cultures, identity, and self-examination all play a prominent part in this epic tale of adventure.
What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be 'truthful'--that is, faithful to the facts of history? Or is it okay to lie in such works? In her provocative study A Thousand Darknesses, Ruth Franklin investigates these questions as they arise in the most significant works of Holocaust fiction, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led us to mistakenly focus on testimony as the only valid form of Holocaust writing. As even the most canonical texts ...
In paintings of natural wonders throughout the galaxy, Wilson Hurley was committed to expressing his love of the richness of reality.
"Leekya Deyuse emerged in the early to mid-1900s as Zuni Pueblo's most recognized commercial carver. A pioneer in the carving of turquoise and coral, he is considered by many to be Zuni's master jeweler of his time. Leek's excellence in carving reached a high point by the 1950s, with his work acquired for museum and private collections worldwide. Leekya's work is relentlessly sought after by scholars and collectors. But research into this enigmatic artist's history raises questions. Was he influenced by the work of ancestral Zuni carvers? Was Leekya also a silversmith, or a maker of mosaic and inlay jewelry? Did his work change over time? With this book, we learn how Leekya's work has brought wide-reaching appreciation for the Zuni carving tradition"--Fresco Books website.
Tiré du site Internet http://www.mackbooks.co.uk: "St Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today ... His concerns are contemporary : his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.' In her work, Buon...
Dark Light is the first book on the ceramics of the great Navajo ceramist Christine Nofchissey McHorse and features her award-winning sculptural black series begun in 1998. Authors Clark and Del Vecchio, the two foremost experts on international contemporary ceramics, give respect to the artist's Native roots while also exploring her art in a mainstream context, a breakthrough in evaluating Indian pottery today. Dark Light refers to the mica-rich clay McHorse uses in her vessels. When fired, the mica glows and shimmers against the black of the reduction-fired surfaces, advancing and receding, giving McHorse's elegant, matt-black biomorphic shapes a retinal vibrance and a sensual life.
In this first book featuring the breadth of Barbara Van Cleve's subject matter, readers experience her other themes, including Rodeo as Dance, striking night scenes, the Great Montana Centennial Cattle Drive series, and documentation of the Spanish Mission Trail in Baja California, Mexico.