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Regeneration through Sport
This book examines how and why sport in general, and football in particular, entered the country and developed successfully between 1890 and the 1920s, while placing that growth within the context of Spain’s larger historical experience. The introduction of sport in the late 19th century permanently changed the day-to-day lives of thousands of Spaniards. Initially, the country’s growing urban middle-classes embraced the new activity as they built community identities and were introduced to it through economic and educational connections to foreigners. To justify this, these proponents argued that the adoption of physical education and sport would physically regenerate the nation. In resp...
Soccer in Spain
Soccer has the unique ability to represent and strengthen different cultural identities and ideologies throughout the world. Perhaps nowhere can this be seen more prominently than in Spain, which has surged to the forefront of the world’s most popular sport. The national team has won the last two European Championships and the 2010 World Cup, while the two preeminent club teams in Spain, Real Madrid and FC Barcelona, have reached the semifinals of the UEFA Champions League in 2011, 2012, and 2013. Even before the sport became a global phenomenon, soccer had established a strong connection with Spanish identity and culture. In Soccer in Spain: Politics, Literature, and Film, Timothy J. Asht...
Making and Unmaking of Francoist Kitsch Cinema
This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis BuÃ3Âłuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches.
A Search for Belonging
As one of the foremost Spanish directors of all time, Luis Buñuel’s filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1947 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Buñuel and his work. This book focuses on nine of the director’s films made in Mexico in order to show that a concerted focus on space, an important aspect of the films’ narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work. Although in recent years Buñuel’s Mexican films have begun to ...
The Moderns
This book offers a radically new account of the rich and varied culture of contemporary Spain. It focuses on three intellectuals who chronicle contemporary life (including journalist Francisco Umbral); three filmmakers who engage with the many nationalisms of the Spanish state (Victor Erice,Bigas Luna, and Julio Medem); and three crucial topics that are expressed in many media (the replaying of history, the rise and fall of the city, and the practice of everyday life). Ranging from the ethnographic photography of Cristina Garcia Rodero to the high tech architecture of SantiagoCalatrava and from the hyperrealist painting of Antonio Lopez to the neo-flamenco dance of Joaquin Cortes, this book is also the first to draw on theorists of the intellectual field, the production of space, and the arts of bricolage (Pierre Bourdieu, Henri Lefebvre, and Michel de Certeau). Refutingthe charge that contemporary Spanish culture is trivial or superficial, this book argues that it is fully engaged in the aesthetic and historical project of modernity.
Cinematic Techniques in the Prose Fiction of Beatriz Guido
Has 20th century literary technique been influenced by the cinema? The obvious answer is yes. But with that answer few specific examples are ever provided, frustrating the reader and filmgoer alike. This study does give specifics drawn from the novels, short stories and screenplays of Argentine writer Beatriz Guido (1925-1988), wife of noted film director Leopoldo Torre Nilsson. Cinematic narrative techniques and literary narrative techniques share features in common, a mutual influence, but also important differences. Here these are examined in detail. Students and fans of film and Latin American literature will be intrigued.
Inhabiting the In-Between
Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition - Ca...
Marco Ferreri
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinem...
