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All's Well That Ends Well
In All's Well That Ends Well, Helen, a lowly ward, risks her life to satisfy her boundless love for Bertram, a count and ward to the King of France. Following him to Paris, she concocts an endangering plan to win the King of France's favour and induce Bertram's hand in marriage. In the comprehensive introduction to this new, fully-illustrated Arden edition, Suzanne Gossett takes a transformative look at the play's critical and performance history by offering fresh perspectives on the conundrum of genre, sexuality and moral dilemmas with masculinity and the structures of family. The authoritative play text is amply annotated to clarify its language and allusions, and two appendices debate the play's authorship and review its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.
English Poetry of the Sixteenth Century
Explores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
All's Well that Ends Well
In this romantic reconciliation comedy, the sweetly mischievous Helena plots and plans her way to winning the aloof Bertram's hand in marriage. While the lovers are united by the close of the final act, Shakespeare pokes fun at the fantasy, wish fulfillment, and conventions of romantic comedy with the play's ambiguous resolution, which has intrigued scholars, readers, and theatergoers for centuries. This invaluable new study guide to one of Shakespeare's greatest plays contains a selection of the finest criticism through the centuries, plus an introduction by Harold Bloom, an accessible summary of the plot, a comprehensive list of characters, a biography of Shakespeare, and more.
A Companion to Early Modern Women's Writing
This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture
The Founding Flies
43 American fly-tying masters, including Mary Orvis Marbury, Thaddeus Norris, and Theodore Gordon.
The Imprint of Gender
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Gender and Representations of the Female Subject in Early Modern England
This book examines the interactions between social assumptions about womanhood and women's actual voices represented in plays and writings by authors of both genders in Jacobean England, placing the special emphasis on Lady Mary Wroth.
Ashgate Critical Essays on Women Writers in England, 1550-1700
The last twenty-five years have seen exciting new developments in scholarly work on Lady Mary Wroth, whose Urania and Pamphilia to Amphilanthus constitute the first romance and the first sonnet sequence to be published by an Englishwoman. Wroth's writings enter into a suggestive and gendered dialogue with the lyric and narrative works of her uncle, Sir Philip Sidney, even as they carve out a place for her own literary experiments. This volume gathers together some of the most striking recent criticism addressing Wroth's oeuvre; many of its essays also discuss the intellectual and cultural contexts in which she wrote. The collection is prefaced by an extended editorial overview of scholarship in the field.
Tudor and Stuart Women Writers
"... a nuanced, carefully argued work that reveals how women writers of the Renaissance, whether upper-class aristocrats close to court, daughters of successful merchants, Protestants, or Catholics, are inevitably affected by the gender biases that infuse all levels of Renaissance society and letters." -- Sixteenth Century Journal "... quite effective at developing a critical vocabulary for analyzing the formal traits of early modern women's writing." -- Tulsa Studies in Women's Literature From the perspectives of feminism, Marxism, sociology, and cultural semiotics, Louise Schleiner examines both familiar and obscure Tudor and Stuart women writers in a comprehensive study of those women who managed to go beyond translations or diaries and find a more individual voice in their public texts.
