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In Praise of Black Women: Heroines of the slavery era
In this translation of Hommage a la femme noire (1988), the authors pay tribute in essays and color images to a group victimized by "scholarly neglect and racist assumptions." Featured African women include 19th-20th century activists, authors, one of the first black fashion models, and others going beyond tradition. Published as part of a UNESCO project for the Schomberg Center for Research in Black Culture/New York Public Library. 9.25x12 ". The correct ISBN is given on the dust jacket but not on the copyright page. V. 4 is expected in spring 2004. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Ten-Tronck's Celebrity Directory
The Celebrity Directory provides the addresses to over 8000 Film and TV Stars, Authors, Politicians, Rock Stars, Athletes, and Other Famous People! If a person is famous or worth locating, it's almost certain their address can be found in here.
The Witch's Heart
When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this fierce, subversive debut novel that reimagines Norse myth. Angrboda's story begins where most witch tales end: with being burnt. A punishment from Odin for sharing her visions of the future with the wrong people, the fire leaves Angrboda injured and powerless, and she flees into the furthest reaches of a remote forest. There she is found by a man who reveals himself to be the trickster god Loki, and her initial distrust of him—and any of his kind—grows reluctantly into a deep and abiding love. Their union produces the most important things in her long life: a trio of peculiar children, each with a secret destiny, whom she is keen to raise at the edge of the world, safely hidden from Odin's all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger. Angrboda must choose whether she'll accept the fate that she's foreseen for her beloved family—or rise to remake it.
I Love My People
Say it with her now: "I love my people!" In rhythmic prowess, Kim Singleton recounts the beauty and legacy of Black people who are "too many to name, from the corners of obscurity, to the highest of fame." I Love My People is a poetic tribute to African American history-makers and culture-shakers, complete with nostalgic photography and vibrant, playful illustration. In the vein of Gill Scott-Heron's poetry of the 1970s, author Kim Singleton invites us into call-and-response and brings a refreshing cadence to the page that captures every decade of Black joy in all its resilient, diverse, and excellent splendor. "We were told that our bodies weren't built for this art. Rhythmic movement we mastered flowing straight from the heart." Singleton shines a light on virtually every facet of Black community life, and unapologetically declares her people good—from the street corner to the White House and everything in between. "In 1827, Freedom's Journal was born. Black content, Black operated, Black staff, Black owned." By the end, you'll be chanting Singleton's anthem, too: "I LOVE MY PEOPLE!"
Wise Her Still Three-Fold
Wise Her Still Three-Fold (The Book of Revocation) is a powerful and revelatory guide designed to help you to get to revelation knowledge without having to go through the valley of experience. This book highlights the bad choices that are common to today's generation of women and that will likely be commonplace for the generations to come. This book will help you to get a God's-eye-view of yourself so that you can revoke every ungodly process that's active in your life.
Movie Roadshows
This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.
Billy Wilder
The director and cowriter of some of the world's most iconic films—including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment—Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and scre...
