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Theology and Spider-Man
Theology and Spider-Man provides a look at the religious themes present in one of the most popular heroes of the past half-century, Spider-Man. In order to create a systematic theology of Spider-Man, the contributors delve into themes of sin, salvation, and creedal theology, while also addressing liberation theology, Black theology, bioethics, and hermeneutics. This volume balances theological depth with discussion of the comics and films, which makes it a perfect collection for those interested in theology, Spider-Man, or both.
Engaging Populism
The past two decades have witnessed an intensifying rise of populist movements globally, and their impact has been felt in both more and less developed countries. Engaging Populism: Democracy and the Intellectual Virtues approaches populism from the perspective of work on the intellectual virtues, including contributions from philosophy, history, religious studies, political psychology, and law. Although recent decades have seen a significant advance in philosophical reflection on intellectual virtues and vices, less effort has been made to date to apply this work to the political realm. While every political movement suffers from various biases, contemporary populism’s association with anti-science attitudes and conspiracy theories makes it a potentially rich subject of reflection concerning the role of intellectual virtues in public life. Interdisciplinary in approach, Engaging Populism will be of interest to scholars and students in philosophy, political theory, psychology, and related fields in the humanities and social sciences.
The Spirit and the Screen
The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but ins...
Theology and Batman
Batman is one of the most recognized and popular pop culture icons. Appearing on the page of Detective Comics #27 in 1939, the character has inspired numerous characters, franchises, and spin-offs over his 80+ year history. The character has displayed versatility, appearing in stories from multiple genres, including science fiction, noir, and fantasy and mediums far beyond his comic book origins. While there are volumes analyzing Batman through literary, philosophical, and psychological lenses, this volume is one of the first academic monographs to examine Batman through a theological and religious lens. Theology and Batman analyzes Batman and his world, specifically exploring the themes of theodicy and evil, ethics and morality, justice and vengeance, and the Divine Nature. Scholars will appreciate the breadth of material covered while Batman fans will appreciate the love for the character expressed through each chapter.
Theology, Religion, and Dystopia
Dystopia, from the Greek dus and topos “bad place,” is a revelatory genre and concept that has experienced a meteoric rise in popularity at the start of the twenty-first century. This book addresses approaches to the study of dystopia from the academic fields of theology and religious studies. Following a co-written chapter where Scott Donahue-Martens and Brandon Simonson argue that dystopia can be understood as demythologized apocalyptic, ten unique contributions each engage a work of popular culture, such as a book, movie, or television show. Topics across chapters range from the critical function of dystopia, social location and identity, violence, apocalypse and the end of everything, sacrifice, catharsis, and dystopian existentialism. This volume responds to the need for theological and religious reflection on dystopia in a world increasingly threatened by climate change, pandemics, and global war.
Theology and the DC Universe
Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.
Theology and Breaking Bad
Theology and Breaking Bad explores the brutal and seemingly nihilistic moral landscape of the AMC neo-Western crime drama Breaking Bad (2008–2013) with insights into the characters, their struggles, and the moral consequences resulting from their actions. Throughout the book, the contributors find telltale traces of theological themes woven into the storylines by the writers and directors and bring them out for the reader in ten essays spanning topics from Greek mythology to the Hebrew Bible, and extending into Eastern and Western Christendom. Readers will find provocative reflections that will add to their appreciation of this show, as well as its spinoff series, Better Call Saul (2015–2022). This volume also advances academic inquiries in such fields as popular culture and theology, hermeneutics, biblical studies, Patristics, film studies, diasporic and colonial studies, and explores such themes as antihero redemption, penance, salvation, and forgiveness. This book will be of interest to both academics and fans alike.
The Myth of the American Dream
Affluence, autonomy, safety, and power—the central values of the American dream. But are they compatible with Jesus' command to love our neighbor as ourselves? In essays grouped around these four values, D. L. Mayfield asks us to pay attention to the ways they shape our own choices, and the ways those choices affect our neighbors.
Destruction, Ethics, and Intergalactic Love
Destruction, Ethics, and Intergalactic Love: Exploring Y: The Last Man and Saga offers a creative and accessible exploration of the two comic book series, examining themes like nonviolence; issues of gender and war; heroes and moral failures; forgiveness and seeking justice; and the importance of diversity and religious pluralism. Through close interdisciplinary reading and personal narratives, the author delves into the complex worlds of Y and Saga in search of an ethics, meaning, and a path resonant with real-world struggles. Reading these works side by side, the analysis draws parallels and seeks common themes around the four central ideas of seeking and making meaning in a meaningless world; love and parenting through oppression and grief; peacefulness when surrounded by violence; and the perils and hopes of diversity and communion. This timely and thoughtful study will resonate with scholars and students of comic studies, media and cultural studies, philosophy, theology, literature, psychology, and popular culture studies.
Marveling Religion
Marveling Religion: Critical Discourses, Religion, and the Marvel Cinematic Universe is an edited volume that explores the intersection of religion and cinema through the lenses of critical discourse. The focus of the shared inquiry are various films comprising the first three phases of the Marvel Cinematic Universe (MCU) and corresponding Netflix series. The contributors explore various religious themes and how they intersect with culture through the canon on the MCU. The first part focuses on responses to the societal, governmental, and cultural context that solidified with clarity during the 2016 Presidential Election cycle in the United States and in the following administration. Additio...
