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This book examines the native Irish experience of conquest and colonisation in Ulster in the first decades of the seventeenth century. Central to this argument is that the Ulster plantation bears more comparisons to European expansion throughout the Atlantic than (as some historians have argued) the early-modern state’s consolidation of control over its peripheral territories. Farrell also demonstrates that plantation Ulster did not see any significant attempt to transform the Irish culturally or economically in these years, notwithstanding the rhetoric of a ‘civilising mission’. Challenging recent scholarship on the integrative aspects of plantation society, he argues that this emphasis obscures the antagonism which characterised relations between native and newcomer until the eve of the 1641 rising. This book is of interest not only to students of early-modern Ireland but is also a valuable contribution to the burgeoning field of Atlantic history and indeed colonial studies in general.
What does it mean to be the nation's doctor? In this engaging narrative, journalist Mike Stobbe examines the Office of the U.S. Surgeon General, underlining how it has always been an anomaly within the federal government with a unique ability to influence public health. But now Surgeon Generals compete with other high profile figures, like the Secretary of Health and Human Services and the Director of the Centers for Disease Control and Prevention. Furthermore, in an era of declining budgets, when public health departments eliminate tens of thousands of jobs, some argue that a lower-profile and ineffective surgeon general is a waste of money. Tracing stories of how surgeons general such as Luther Terry, C. Everett Koop, and Jocelyn Elders created policies and confronted controversy in response to issues like smoking, AIDS, and masturbation, Stobbe highlights how this office is key to shaping the nation's health and explains why its decline is harming our country's well-being.
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The authorized hymnal for the Episcopal Church with durable, beautiful, covered spiral binding especially created for music stands, organ, and piano music racks. This edition provides accompaniment for all hymns and service music and contains an appendix of additional service music. It comes in two volumes -- one of hymns and one of service music.
The eleven years of conflict that engulfed Ireland (1641-53) can be seen as a drama in three acts, each of which drew Ireland into progressively closer alignment with the Civil Wars (1642-52) in the other two Stuart kingdoms, Scotland and England. The first act in the Wars of Religion in Ireland (1641-53) began in October 1641 with a rising in Ulster and shuddered to a halt in September 1643 when the insurgents, now embodied as the Confederate Catholics, agreed a ceasefire with Charles I’s representative in Ireland. This study is confined to Act One to manage its sheer scope and scale. Not a single county in Ireland was unscathed by war and in summer 1642 there were more men under arms tha...
Ireland was England's oldest colony. Making Empire revisits the history of empire in IrelandEDin a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'EDto better understand how it has formed the present, and how it might shape the future. Empire and imperial frameworks, policies, practices, and cultures have shaped the history ofthe world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as processEDand Ireland's role in itEDthrough the lens of early modernity. It covers the two hundred years, between themid-sixteenth century and the mid-eighteenth century, that e...
Internationally renowned architect I. M. Pei commented that if Marcel Breuer's church for Saint John's Abbey had been built in New York instead of the north woods of Minnesota it would be world famous. Hamilton Smith, Breuer's longtime associate, wrote that the completed church was that rare thing, an architectural design fully realized, and he regarded it as Breuer's finest achievement. The junior member of the twelve-monk planning committee recounts in warm and frequently humorous detail how its members related to the Hungarian-born Bauhaus-trained architect who had no background in church architecture but shared their belief in the enduring quality of simple materials sympathetically used. How the strong architect-client relationship survived the strain of disagreement at a critical moment in completion of the church is the narrative high point in this informal record of four years in which the reader sees a masterpiece of modern church architecture take shape.