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Seas, Cities and Dreams
The story of Ivan Aivazovksy is peerless in the history of art. A poor boy from an obscure Black Sea port, he ended his life as the best-known Russian painter ever. His exhibitions all over the world drew enormous crowds and earned him admiration from the likes of Horace Vernet and William Turner. Today, Aivazovsky's work passes constantly through salesrooms and is eagerly sought after by collectors. Published on the hundredth anniversary of his death, this is the first book on the artist in English. Over 200 of his works are reproduced in color, most for the first time. The lively text offers insights into the working methods of a man who raised European maritime painting to new heights.
Light, Water and Sky
Following the success in 2000 of Seas, Cities, and Dreams, the authors return with a second volume on the works of this remarkable 19th-century master who raised European maritime painting to a new level. A towering figure in his day, he shot to international fame at an early age. His exhibitions drew enormous crowds from all over the world and earned him the admiration of Vernet and Turner. He was elected a member of five European academies and was personally acquainted with most of the crowned heads of his day. Throughout his long and colorful career Aivazovsky claimed to have painted over 6,000 pictures. The authors—the foremost experts on the artist—have gathered the material for this book from public and private collections worldwide. The large number of paintings illustrated offer a significant addition to the published corpus of Aivazovsky's oeuvre. Their chronological arrangement makes this book an invaluable resource for scholars, collectors, and Aivazovsky's many admirers.
Designing Russian Cinema
This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost ́, 1923), were remarkable from a design p...
The History of the Jews in Early Modern Italy
Challenging traditional historiographical approaches, this book offers a new history of Italian Jews in the early modern age. The fortunes of the Jewish communities of Italy in their various aspects – demographic, social, economic, cultural, and religious – can only be understood if these communities are integrated into the picture of a broader European, or better still, global system of Jewish communities and populations; and, that this history should be analyzed from within the dense web of relationships with the non-Jewish surroundings that enveloped the Italian communities. The book presents new approaches on such essential issues as ghettoization, antisemitism, the Inquisition, the history of conversion, and Jewish-Christian relations. It sheds light on the autonomous culture of the Jews in Italy, focusing on case studies of intellectual and cultural life using a micro-historical perspective. This book was first published in Italy in 2014 by one of the leading scholars on Italian Jewish history. This book will appeal to students and scholars alike studying and researching Jewish history, early modern Italy, early modern Jewish and Italian culture, and early modern society.
Anton Melbye und das Seestück im 19. Jahrhundert
Zu Lebzeiten für seine emotional aufgeladenen Meereslandschaften mit Schiffen gefeiert und umworben, geriet Anton Melbye nach seinem Tod allmählich in Vergessenheit und wurde erst in den letzten Jahren wiederentdeckt. Insbesondere in seinen ab 1846 entstandenen Bildern des leeren Ozeans entwickelte der dänische Künstler das Seestück zu einem Spiegel der Seele, der Sehnsüchte und Ambitionen seiner Zeit. Erstmals in der Kunstgeschichte ohne Zeichen von Mensch, Schiff oder Küste zielt die bewegte Meeresoberfläche seiner Meereseinsamkeiten in ihrer Gleichförmigkeit, Undurchdringlichkeit und räumlichen Unendlichkeit auf die Verunsicherung der Betrachtenden und wird zur Projektionsfläch...
Socialism of Fools
In Socialism of Fools, Michele Battini focuses on the critical moment during the Enlightenment in which anti-Jewish stereotypes morphed into a sophisticated, modern social anti-Semitism. He recovers the potent anti-Jewish, anticapitalist propaganda that cemented the idea of a Jewish conspiracy in the European mind and connects it to the atrocities that characterized the Jewish experience in the nineteenth and twentieth centuries. Beginning in the eighteenth century, counter-Enlightenment intellectuals and intransigent Catholic writers singled out Jews for conspiring to exploit self-sustaining markets and the liberal state. These ideas spread among socialist and labor movements in the ninetee...
The Militant Middle Ages
In The Militant Middle Ages, historian Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape contemporary political contexts. Today more than ever, the medieval era is mined from across the political spectrum for symbols, examples, allegories, and models to represent and interpret the present. From “new crusades” to fantasy literature and cosplay, from Catholic Traditionalism to environmentalism, from neo-Vikings to medieval tourism and festivals, Carpegna Falconieri leads us in an impassioned and often disquieting journey through the “Modern Middle Ages.” The first book-length study dedicated to the broad phenomenon of political medievalism, The Militant Middle Ages offers a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past. First published in Italian as Medioevo militante. La politica di oggi alle prese con barbari e crociati - © 2011 Giulio Einaudi editore s.p.a., Torino.
