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"Illustrating this thesis through an examination of the plays themselves, Staging Faith explores how different modes of production resulted in different types of dramatic organization, different relationships between the audience and the dramatic action, and how dramatists exploited the symbolic and affective potential of different types of settings, props, and dramatic actions. The simple place-and-scaffold play accommodated an oppositional structure, one that could be embodied spatially in the arrangement of the scaffolds and further articulated in processional action. The symbolic images in these dramas often have a strongly devotional character and attempt to unite the play's audience around a central devotional object or scene."--BOOK JACKET.
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
How do the objects in a still life reflect the customs, ideas and aspirations of the time? This is one of the questions which Schneider asks in this book. Still lifes chart the history of scientific discoveries and their acceptance as well as the gradual replacement of the mediaeval concept of the world.
First published in 1996. Volume 2 of the International Dictionary of Historical Places covers Northern Europe (British Isles to Russia), out of a set of five. The dictionary spans from Aachen to Ypres and includes an index by country. This five-volume set presents some 1,000 comprehensive and fully illustrated histories of the most famous sites in the world. Entries include location, description, and site details, and a 3,000- to 4,000-word essay that provides a full history of the site and its condition today. An annotated further reading list of books and articles about the site completes each entry.
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This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...