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Dialogue on the Errors and Abuses of Painters
Giovanni Andrea Gilio’s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farnese’s lively court circle in Rome and dedicated his book to the cardinal. His text—available here in English in full for the first time—takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points...
A Season With Verona
'Delves into the very essence of being a fan, while seamlessly exploring Italian history, politics, culture and society,' Guardian Is Italy a united country, or a loose affiliation of warring states? Is Italian football a sport, or an ill-disguised protraction of ancient enmities? Tim Parks goes on the road to follow the fortunes of Hellas Verona football club, to pay a different kind of visit to some of the world's most beautiful cities. This is a highly personal account of one man's relationship with a country, its people and its national sport. A book that combines the pleasures of travel writing with a profound analysis of one country's mad, mad way of keeping itself entertained.
A Biographical and Critical Dictionary of Painters and Engravers
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A Biographical and Critical Dictionary of Painters, Engravers, Sculptors and Architects, from Ancient to Modern Times
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Roberto Caracciolo da Lecce (1425-1495)
The book offers a renewed study of the life and works of one of the most famous popular preachers and sermon authors of Renaissance Italy, providing a reference work on the figure of Roberto Caracciolo and a reading of his times.
Bulletin of More Important Accessions with Bibliographical Contributions
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Samothracian Reflections
These three essays were inspired by the Samothracian discoveries. Cyriacus of Ancona's visit to the island and his assessment of what he saw are the subject of the opening essay. This is followed by the first detailed and comprehensive analysis of Mantegna’s Parnassus, a painting which Mrs. Lehmann suggests reflects in its theme and imagery the use of a limited number of ancient sculptures and texts. The final essay is a discussion of the postclassical transformation of the iconographic type of the ancient ship-fountain. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
