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The Cambridge Companion to H. D.
An overview of this important early twentieth-century female writer's work and career and her contribution to the development of modernism.
South African Theatre as/and Intervention
One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist ...
Adapting King Lear for the Stage
Exploring whether the impulse to adapt Shakespeare has changed over time, Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares adaptations of King Lear from the seventeenth through the nineteenth centuries to twentieth-century rewritings of the play, suggesting modern Shakespeare adaptations represent a unique genre that permits playwrights to acknowledge their literary heritage while articulating more modern subject positions and participating in broader debates about art and society.
The Cambridge Companion to the Body in Literature
This Companion offers the first systematic analysis of the body in literature, from the Middle Ages to the present day.
Beyond the Human-Animal Divide
This volume explores the potential of the concept of the creaturely for thinking and writing beyond the idea of a clear-cut human-animal divide, presenting innovative perspectives and narratives for an age which increasingly confronts us with the profound ecological, ethical and political challenges of a multispecies world. The text explores written work such as Samuel Beckett’s Worstward Ho and Michel Foucault's The Order of Things, video media such as the film "Creature Comforts" and the video game Into the Dead, and photography. With chapters written by an international group of philosophers, literary and cultural studies scholars, historians and others, the volume brings together established experts and forward-thinking early career scholars to provide an interdisciplinary engagement with ways of thinking and writing the creaturely to establish a postanthropocentric sense of human-animal relationality.
My Favourite People & Me
Alan Davies was always a hoarder. Pages from Smash Hits, rolled up gig posters, Cup Final ticket stubs, Woody Allen paperbacks, NME covers and Blondie calendars filled boxes once used to ferry shopping home from supermarkets (back when supermarkets would leave boxes out for the ferrying of shopping). Not much that came down from Alan's bedroom wall made it into the bin, never mind the uninvented bin-liner. Growing up is not easy. So many decisions: Who to revere, Sheene or McEnroe? Who to imitate, Starsky or Hutch? Who to dislike overnight in an effort to show maturity, Thatcher or Scargill? How to decide which pin-ups to unpin when a batch of Animal Rights leaflets or a satirical poster of Ronald Reagan demand wallspace? The Impressionable Age of a young man lasts around a decade and the idols and icons of that period can reveal much of the time and of the impressed subject. Nostalgic, warm and laugh-out-loud funny My Favourite People and Me 1978-1988 is an affectionate trip through a suburban childhood in Essex and an eighties education in Kent. As Alan says, 'an attempt to remember who and what I liked as a boy/youth/idiot and to work out why. There are also some pictures.'
The Cambridge Companion to Literature and Economics
This book provides a comprehensive and authoritative guide to the interdisciplinary field of literature and economics.
The Cambridge Companion to James Baldwin
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a "spokesman for the race," although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the civil rights era as well as his relevance in the "post-race" transnational twenty-first century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assume new urgency.
The Cambridge Companion to Nineteenth-Century American Poetry
This Companion is the first critical collection of its kind devoted solely to American poetry of the nineteenth century. It covers a wide variety of authors, many of whom are currently being rediscovered. A number of anthologies in the recent past have been devoted to the verse of groups such as Native Americans, African-Americans and women. This volume offers essays covering these groups as well as more familiar figures such as Dickinson, Whitman, Longfellow and Melville. The contents are divided between broad topics of concern such as the poetry of the Civil War or the development of the 'poetess' role and articles featuring specific authors such as Edgar Allan Poe or Sarah Piatt. In the past two decades a growing body of scholarship has been engaged in reconceptualizing and re-evaluating this largely neglected area of study in US literary history - this Companion reflects and advances this spirit of revisionism.
The Cambridge Companion to Virgil
Presents stimulating chapters on Virgil and his reception, offering an authoritative overview of the current state of Virgilian studies.
