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Todd Co, KY - Family Hist
  • Language: en
  • Pages: 345

Todd Co, KY - Family Hist

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The Quiet Ones
  • Language: en
  • Pages: 318

The Quiet Ones

If only someone had listened... When the supposed suicide of famous Scottish football coach Harry Nugent hits the headlines, the tabloids are filled with tributes to a charitable pillar of the community that gave so much back to sport and to those less fortunate. But something isn't right. Normally celebrities are queuing up to claim to have had a very special relationship with the deceased, but investigative journalist Oonagh O'Neil is getting the distinct impression that people are trying to distance themselves from Harry. Oonagh's investigation leads her to uncover a heartbreakingly haunting cover-up that chills her to the core... and places her in mortal danger from those willing to protect their sadistic and dark secrets at any cost... Perfect for fans of Patricia Gibney, Angela Marsons and Cara Hunter.

Challenging Theory: Discipline After Deconstruction
  • Language: en
  • Pages: 300

Challenging Theory: Discipline After Deconstruction

  • Type: Book
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  • Published: 2019-01-04
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  • Publisher: Routledge

First published in 1999, this volume perceives that English literature in under threat as an academic discipline. In Challenging Theory, Catherine Burgass warns against the recent trend towards the conflation of literature teaching with cultural studies in British and American universities. Focusing on theory of deconstruction, as developed by Jacques Derrida in the 1960s, the book redresses some common mistenterpretations of Derrinda’s work relating to the status of metaphysical oppositions. Part One discusses textual differences and the ways in which these may dissolve and reform according to different cultural contexts. The practical issues associated with teaching literature and litera...

Charles Dickens's Great Expectations
  • Language: en
  • Pages: 312

Charles Dickens's Great Expectations

  • Type: Book
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  • Published: 2016-03-03
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  • Publisher: Routledge

Great Expectations has had a long, active and sometimes surprising life since its first serialized appearance in All the Year Round between 1 December 1860 and 3 August 1861. In this new publishing and reception history, Mary Hammond demonstrates that while Dickens’s thirteenth novel can tell us a great deal about the dynamic mid-Victorian moment into which it was born, its afterlife beyond the nineteenth-century Anglophone world reveals the full extent of its versatility. Re-assessing generations of Dickens scholarship and using newly discovered archival material, Hammond covers the formative history of Great Expectations' early years, analyses the extent and significance of its global reach, and explores the ways in which it has functioned as literature and stage, TV, film and radio drama from its first appearance to the latest film version of 2012. Appendices include contemporary reviews and comprehensive bibliographies of adaptations and translations. The book is a rich resource for scholars and students of Dickens; of comparative literature; and of publishing, readership, and media history.

Understanding Film
  • Language: en
  • Pages: 318

Understanding Film

This film analysis textbook contains sixteen essays on historically significant, artistically superior films released between 1922 and 1982. Written for college, high school, and university students, the essays cover central issues raised in todays cinema courses and provide students with practical models to help them improve their own writing and analytical skills. This film casebook is geographically diverse, with eight countries represented: Italy, France, the United States, Russia, Germany, Great Britain, Japan, and India. The essays, sophisticated yet not overly technical or jargon-heavy, are perfect introductions to their respective films as well as important contributions to the field...

Hamilton Babylon
  • Language: en
  • Pages: 276

Hamilton Babylon

  • Categories: Art

Founded in 1966 at McMaster University by avant-garde filmmaker John Hofsess and future frat-comedy innovator Ivan Reitman, the McMaster Film Board was a milestone in the development of Canada's commercial and experimental film communities. McMaster's student film society quickly became the site of art filmmaking and an incubator for some of the country's most famous commercial talent - as the well as the birthplace of the first Canadian film to lead to obscenity charges, Hofsess's Columbus of Sex. In Hamilton Babylon, Stephen Broomer traces the history of the MFB from its birth as an organization for producing and exhibiting avant-garde films, through its transformation into a commercial-industrial enterprise, and into its final decline as a show business management style suppressed many of its voices. The first book to highlight the work of Hofsess, an innovative filmmaker whose critical role in the MFB has been almost entirely eclipsed by Reitman's legend, Hamilton Babylon is a fascinating study of the tension between art and business in the growth of the Canadian film industry.

A Kentucky Sampler
  • Language: en
  • Pages: 453

A Kentucky Sampler

The Filson Club History Quarterly, first published in 1926, has long enjoyed a reputation as one of the nation's finest regional historical journals. Over the years it has published excellent essays on virtually every aspect of Kentucky history. Gathered together here for the first time are twenty-eight selections, chosen from the first fifty years of the journal's publication. These essays span the range of Kentucky history and culture from frontier criminals to best sellers by Kentucky women writers, and from Indian place names to twentieth century bank failures. Included among the essayists are Thomas D. Clark, J. Winston Coleman, Jr., Robert E. McDowell, Lowell Harrison, Hambleton Tapp, ...

The Persistence of History
  • Language: en
  • Pages: 280

The Persistence of History

  • Type: Book
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  • Published: 2014-02-04
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  • Publisher: Routledge

The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible.

Fear, Cultural Anxiety, and Transformation
  • Language: en
  • Pages: 310

Fear, Cultural Anxiety, and Transformation

This collection was inspired by the observation that film remakes offer us the opportunity to revisit important issues, stories, themes, and topics in a manner that is especially relevant and meaningful to contemporary audiences. Like mythic stories that are told again and again in differing ways, film remakes present us with updated perspectives on timeless ideas. While some remakes succeed and others fail aesthetically, they always say something about the culture in which_and for which_they are produced. Contributors explore the ways in which the fears of death, loss of self, and bodily violence have been expressed and then reinterpreted in such films and remakes as Invasion of the Body Sn...

The Cinema of Krzysztof Kie?lowski
  • Language: en
  • Pages: 210

The Cinema of Krzysztof Kie?lowski

Since his death in 1996, Krzysztof Kieslowski has remained the best-known contemporary Polish filmmaker and one of the most popular and respected European directors, internationally renowned for his ambitious Decalogue and Three Colors trilogy. In this new addition to the Directors'Cuts series, Marek Haltof provides a comprehensive study of Kieslowski's cinema, discussing industrial practices in Poland and stressing that the director did not fit the traditional image of a "great" East-Central European auteur. He draws a fascinating portrait of the stridently independent director's work, noting that Kieslowski was not afraid to express unpopular views in film or in life. Haltof also shows how the director's work remains unique in the context of Polish documentary and narrative cinema.