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In the thirteenth century the French kings won ascendancy over France, while France achieved political and cultural supremacy over western Europe. Based on French sources, this meticulously documented study provides an account of how Philip Augustus (1179-1223) brought about this transformation of royal power.
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Essays throwing fresh light on what it was like to be a medieval soldier, drawing on archival research.
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In 1988, carbon dating of the world's most famous Christian relic revealed that it was a mediaeval or Renaissance forgery. Yet many questions remained. How could a hoaxer of 500 or more years ago have created an image that appears so astonishingly lifelike when seen in photographic negative? How was such an image formed? And who would have dared fake the Holy Shroud of Jesus? Setting out to answer these questions, Lynn Picknett and Clive Prince discovered that the faker was none other than Leonardo da Vinci, the Renaissance artist, scientist, inventor - and hoaxer - whose innovations are acknowledged to have been centuries ahead of his time. They also reconstructed Leonardo's secret technique - becoming the first ever to recreate the Shroud image. Now revised and updated, sensationally the new 2006 edition of Turin Shroud presents the long-lost hard evidence to link the Shroud of Turin directly with Leonardo da Vinci. Perhaps this is even his 'confession' to having faked Christianity's most sacred relic, which will astonish both believers and sceptics alike, and present a new challenge to historians of both art and photography.
Le Roman de la Manekine marks the beginning of its author's literary career. Philippe de Remi, on whom much attention has focused in the last two decades, was an unusual figure: a 13th-century land-holder and professional administrator who loved literature and who produced a large and varied corpus of narrative and lyric. Here is presented for the first time since 1884 a scholarly edition of Philippe's first romance, a tale centering on a heroine of great courage and integrity who passes through many trials without losing hope. The text is accompanied by a line-by-line English version, and by extensive commentary touching on the author, his milieu, and the literary context and major themes of the romance. Studies of the manuscript (Paris BNF fr 1588), its illustrations (all of them reproduced), and its history, have been provided by Alison Stones and Roger Middleton. The volume should be of interest to specialists in medieval French literature, to general readers who find English translations useful, and to scholars in the fields of medieval art and manuscript history.
'Sumption is that rare and precious thing: a serious, decent, honest thinker . . . and one of our finest historians.' Dan Jones, Sunday Times 'Gripping and eminently readable . . . a compelling justification for the enduring value of historical narrative.' The Times 'Unsurpassed, and probably unsurpassable.' Daily Telegraph In this final volume of his epic history of the Hundred Years War, Jonathan Sumption tells the story of the collapse of the English dream of conquest, from the opening years of the reign of Henry VI until the loss of all of England's continental dominions except Calais thirty years later. This sudden reversal of fortune was a seminal event in the history of the two princi...