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A best seller when first published in Germany in 2003, Jens Malte Fischer's "Gustav Mahler" has been lauded by scholars as a landmark work. He draws on important primary resources--some unavailable to previous biographers--and sets in narrative context the extensive correspondence between Mahler and his wife, Alma; Alma Mahler's diaries; and the memoirs of Natalie Bauer-Lechner, a viola player and close friend of Mahler, whose private journals provide insight into the composer's personal and professional lives and his creative process.Fischer explores Mahler's early life, his relationship to literature, his achievements as a conductor in Vienna and New York, his unhappy marriage, and his work with the Metropolitan Opera and the New York Philharmonic in his later years. He also illustrates why Mahler is a prime example of artistic idealism worn down by Austrian anti-Semitism and American commercialism. "Gustav Mahler" is the best-sourced and most balanced biography available about the composer, a nuanced and intriguing portrait of his dramatic life set against the backdrop of early 20th century America and fin de siecle Europe.
von der Erde, bringing to light for the first time various aspects of the works. Professor Floros examines their history and autobiographical origins and discusses the events that profoundly influenced the composer's symphonic writing. For example, Mahler's meeting with Alma Schindler (later to become Alma Mahler) in November 1901 and the tragic events of 1907 - the death of the composer's older daughter and the diagnosis of his heart trouble - profoundly changed.
Recollections of Mahler written in 1936 by the composer's assistant conductor in Hamburg and at the Vienna Opera, plus Ernst Krenek's biographical sketch of Mahler and a new Introduction.
When the second volume of de La Grange's monumental study of Mahler appeared, it was hailed in The New Yorker, The Washington Post, The Los Angeles Times, and many other publications as an indispensable portrait of the great composer. Here at last is the third volume of this magisterial work. Ranging from 1904 to 1907, it explores Mahler's final years as administrator, producer, and conductor of the Vienna Opera. It was a time of intense inner struggle, with Mahler's energy and creative powers drained by the competing demands of running the Hofoper and struggling for recognition as a composer. And they were tragic years as well, especially 1907, Mahler's last year in Vienna, when the death o...
"My time will come." This prophecy, which Gustav Mahler made in the face of the misunderstanding, attacks, and downright abuse he had to suffer during his lifetime, has been fulfilled. In the years immediately following his death in 1911, there were, of course, many isolated groups devoted to propagating Mahler's work, but, as the author points out in this book, what had been taken as genuine understanding turned out to be mere fashion. But, in the 1930's a deeper appreciation of Mahler arose, with the founding of the Bruckner Society of America and the unstinting efforts of conductors such as Reiner, Koussevitsky, Walter, and Klemperer to make his works better known to American audiences. Since then, his popularity has continued to grow, until how, thanks to the techniques of stereo recording and reproduction, we are in the midst of a veritable Mahler renaissance.
"The final crisis of Mahler's career occurred in 1910, when he learned that his wife, Alma, was having an affair with the architect Walter Gropius. The revelation precipitated a breakdown while Mahler was working on his Tenth Symphony. The anguished, suicidal notes Mahler scrawled across the manuscript of the unfinished symphony reveal his troubled state. It was a four-hour consultation with Sigmund Freud in Leiden, Holland, that restored the composer's equilibrium. Although Mahler left little record of what transpired in Leiden, Stuart Feder has reconstructed the encounter on the basis of surviving evidence. The cumulative stresses of the crises in Mahler's life, in particular Alma's betrayal, left him physically and emotionally vulnerable. He became ill and died soon after in 1911."--BOOK JACKET.
Without an understanding of the conflicts of Mahler's youth one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. Available again for a new generation of Mahlerians, Donald Mitchell's famous study of the composer's early life and music was greeted as a major advance on its first appearance in 1958. Revised and updated in the early 1980s, thispaperback edition includes a new introduction by the author to bring this classic work once again to the forefront of Mahler studies. From his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to a surveyof his early works, many now lost, Gustav Mahler: The Early Years forms an indispens...
Gustav Mahler by Gabriel Engel is an excellent biographical tribute to the Austro-Bohemian Romantic composer. Mahler was one of the leading conductors of his generation. As a composer, he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. Excerpt: "The utmost efforts of the studious countryman, Bernhard Mahler of Kalischt, Bohemia, to better himself had netted him after many discouraging years only the modest dignity of a rustic private-tutor."