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De Mysteriis
This volume presents the first modern English translation of Iamblichus’s De mysteriis alongside the standard critical edition of the text by Édouard Des Places (Les Belles Lettres, 1966). This important work, which provides a unique insight into the mystical side of late Neoplatonism, has hitherto been neglected to an unfortunate degree, partly due to its inaccessibility. Iamblichus argues that the only true good is union with the gods and that the only route to this divine union is theurgy—religious ritual demonstrating supernatural power—which both symbolizes and encapsulates the extraordinary miracle of the soul’s conversion back to its divine origin. The process of sacrifice, the activities of angels and demons, the meaning of divine possession, and the functioning of oracles are all examined in this extraordinary defense of theurgic mysticism against contemporary critics such as Porphyry. Clarke, Dillon, and Hershbell bring this famous and fascinating text to light through their introduction and extensive notes.
George Eliot in Germany, 1854–55
From 1854 to 1855, George Eliot spent eight months in Germany, a period that marked the start of her life with George Lewes. Though Eliot documented this journey more extensively than any other, it has remained an under-researched part of Eliot's biography. In her meticulously documented and engaging book, Gerlinde Röder-Bolton draws on Eliot's own writings, as well as on extensive original research in German archives and libraries, to provide the most thorough account yet published of the couple's visit. Rich in historical, social, and cultural detail, George Eliot in Germany, 1854-55 not only records the couple's travels but supplies a context for their encounters with people and places. In the process, Röder-Bolton shows how the crossing of geographical boundaries may be read as symbolic of Eliot's transition from single woman to social outcast and from translator and critic to writer of fiction.
Early Modern Europe
This reader brings together original and influential recent work in the field of early modern European history. Provides a thought-provoking overview of current thinking on this period. Key themes include evolving early-modern identities; changes in religion and cultural life; the revolution of the mind; roles of women in early-modern societies; the rise of the modern state; and Europe and the new world system Incorporates new scholarship on Eastern and Central Europe. Includes an article translated into English for the first time.
Shaping the Canons of Ancient Greek Historiography
The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient rhetors and literary critics. Writings on historiography by Cicero, Quintilian, and Dionysius of Halicarnassus are chiefly taken into account to explore the canons of Greek historians in Hellenistic and Roman Imperial Ages. Essential in canon-formation was the concept of classicism which took shape in the Age of Augustus, but whose earlier developments can be traced back to Isocrates, a model rhetor according to Dionysius at the end of the 1st century BC. The analysis explores also late-antique authors of school treatises and progymnasmata, a field where historiography had a pedagogical function. Previous studies on canonical literature have rarely considered historiography. This book examines not only the works of ancient historians and their legacy, but also the relationship between historiography, literary criticism, and the rhetorical tradition.
Illuminating the Renaissance
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the n...
