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Lyric Orientations
In Lyric Orientations, Hannah Vandegrift Eldridge explores the power of lyric poetry to stir the social and emotional lives of human beings in the face of the ineffable nature of our mortality. She focuses on two German-speaking masters of lyric prose and poetry: Friedrich Hölderlin (1770–1843) and Rainer Maria Rilke (1875–1926). While Hölderlin and Rilke are stylistically very different, each believes in the power of poetic language to orient us as social beings in contexts that otherwise can be alienating. They likewise share the conviction that such alienation cannot be overcome once and for all in any universal event. Both argue that to deny the uncertainty created by the absence o...
Metrical Claims and Poetic Experience
This volume contributes to the fields of lyric poetry and poetics (especially poetic form), aesthetics, and German literature by intervening in debates on the social functions, cognitive and emotional effects, and the value of poetry. It builds on, and moves beyond, previous theories of rhythm to tie meter more particularly to the specificities of poetic language in blending of embodied responses, cultural situations, and linguistic particularities. The book examines the German-language tradition across three centuries, arguing that the interdisciplinarity and richness of metrical theory and practice emerge in the heterogeneity of poetry and its defenders in their specific historical moments...
The Relevance of Romanticism
This collection of essays directly considers the reasons why philosophers have recently become deeply interested in romantic thought. Through historical and systematic reconstructions, the volume offers greater understanding of romanticism as a philosophical movement and deeper insight into the role that romantic thought plays - or can play - in contemporary philosophical debates.
Art in Doubt
Leo Tolstoy’s and Vladimir Nabokov’s radically opposed aesthetic worldviews emanate from a shared intuition—that approaching a text skeptically is easy, but trusting it is hard Two figures central to the Russian literary tradition—Tolstoy, the moralist, and Nabokov, the aesthete—seem to have sharply conflicting ideas about the purpose of literature. Tatyana Gershkovich undermines this familiar opposition by identifying a shared fear at the root of their seemingly antithetical aesthetics: that one’s experience of the world might be entirely one’s own, private and impossible to share through art. Art in Doubt: Tolstoy, Nabokov, and the Problem of Other Minds reconceives the pair�...
Maurice Blanchot on Poetry and Narrative
Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart. Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot's emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot's elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig's work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.
A Poetic Philosophy of Language
Connecting poetry and philosophy of language, Philip Mills bridges the continental and analytical divide by bringing together the writings of Nietzsche and Wittgenstein. Through an expressivist philosophy of poetry, he argues that we can understand some of the core questions in the philosophy of language. Mills highlights the continuity of poetic language with ordinary language, and positions Nietzsche and Wittgenstein's thinking as the clearest way to expand the philosophy of poetry. By tracing the expressivist tradition of philosophy of language, this study locates its roots in German Romanticism right through to the work of contemporary expressivists such as Huw Price and Robert Brandom. Where poetry has been difficult to grasp with the traditional philosophical tools used by aestheticians, A Poetic Philosophy of Language operates at the crossroads between philosophy of art and language, proposing a new philosophy of poetry with wide-ranging potentialities.
Thought and Poetry
Addressing objective and subjective views of the self and the world in philosophy and poetry, this collection brings together a chronology of John Koethe's thoughts on the connections between the two forms and makes a significant contribution to unsettling the oppositions that separate them. The essays traverse the philosophical conception of the self in modern poetry and locate connections between poets including William Wordsworth, Wallace Stevens, and John Ashbery alongside philosophers including Kant, Schopenhauer, and Wittgenstein. Koethe pays special attention to romantic poetry and notions of the sublime, which he maps onto subjective individual experience and the objective perspective on the natural world. Koethe further explores this theme in a new essay on romanticism and the sublime in relation to the mind-body problem. Using an associative and impressionistic style to write philosophically about poetry, Koethe defends his own approach that such writing cannot and should not aim for the rigor of philosophical argumentation.
Philosophy of Lyric Voice
Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised. Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contempora...
Iris Murdoch and the Ancient Quarrel
Lyra Ekström Lindbäck revisits the crucial distinction between literature and philosophy in Iris Murdoch's work to make a convincing case for understanding the particularity of literature and her insistence on the separation between the two. Iris Murdoch and the Ancient Quarrel makes a break with existing scholarship on Murdoch's philosophy and literature that ultimately re-states the philosophical value of literature, alongside literary aspects of philosophy. This book differs by deepening Murdoch's insistence on the differences between the disciplines, providing a consistent and polemical argument for the distinction between literature and philosophy more generally. Engaging thinkers such as Plato, Kant, Hegel, Sartre, Weil, and Cavell, Iris Murdoch and the Ancient Quarrel delves into the aesthetic characteristics that distinguish philosophy and literature. Through a discussion of the illusion of sense, the role of conceptual thinking in literature, the clash between epistemology and fiction, the artifice of tragedy, and the ambiguous morality of artistic inspiration and experience, this study reveals literature as essentially other to philosophy.
Beyond Autonomy in Eighteenth-Century British and German Aesthetics
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key fi...
