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The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.
Action Movies: The Cinema of Striking Back is a study of action cinema, exploring the ethics and aesthetics of the genre with reference to its relatively short history. It moves from seminal classics like Bullitt (1968) and Dirty Harry (1971) through epoch-defining films like Rambo: First Blood Part II (1985) and Die Hard (1988) to revisions, reboots, and renewals in films like Kill Bill Vol. 1 (2003), Taken (2008), and The Expendables (2010). The action genre is a fusion of form and content: a cinema of action about action. It is a cinema of the will, configured as a decisive reaction to untenable circumstances. Action heroes take up arms against the sea of troubles that beset them, safe in the knowledge that if they don't do it, nobody will. Though this makes the action movie profoundly disturbing as an embodiment of moral ideology, its enduring appeal proves the appetite for assurance remains undiminished, even in the wake of 9/11.
“The Church opposes any unjust treatment of homosexual persons, insisting on their equal dignity before God and firmly correcting anyone who in any way ridicules homosexual persons. It is also the duty of the Church in every diocese to provide adequate pastoral programs to help homosexual men and women live the Gospel to the full.” Father John F. Harvey Founder of Courage For more than thirty years, Courage has been helping same-sex-attracted Catholic men and women to lead chaste lives. This book will relate not just the history of the apostolate but how and why it was founded. It will introduce readers to the numerous souls whose lives were changed by following the goals of Courage and ...
This volume is a festschrift for Damodar Ramaji SarDesai (b.1931), Professor Emeritus of History at the University of California, Los Angeles (UCLA) His work for over fifty years at UCLA has been an inspiration to generations of students, and he has made major contributions in his chosen areas of specialization of India, its foreign policy with regard to southeast Asia, imperialism and the history of the modern European empires. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
(Paperback Edition) A sampling of the best material from the long-running "Harveyville Fun Times!" fanzine featuring articles about various Harvey Comics characters such as Casper, Richie Rich, Hot Stuff and Sad Sack. Edited by Mark Arnold.
'Riveting and vivid ... At the heart of the book is Blake's own remarkable story, which Vogel tells with some sympathy, if not approval. It reads like a Hollywood screenplay' Foreign Affairs 'A fascinating account of Blake's career as a spy ... Blake's story has been told before, as has the tunnel's, but Steve Vogel pulls them together accessibly and comprehensibly, along with the wider political context and entertaining detail about personalities of the period' Spectator 'Excellent... although there are other books on Blake, Mr. Vogel's handling of his tale is original and rewarding... meticulously researched and full of vivid detail' Wall Street Journal 'A spy thriller that kept me up all ...
Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life. Drawing on a host of previously unexamined archival sources and works by figures such as E. M. Forster, Roger Fry, Oscar Wilde, James McNeill Whistler, and Virginia Woolf, Rosner highlights the participation of modernist literature in the creation of an experimental, embodied, and unstructured private life, which we continue to characterize as "modern."