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When We Lost Our Heads
“Every decent friendship comes with a drop of hatred. But that hatred is like honey in the tea. It makes it addictive.” Charismatic Marie Antoine is the daughter of the richest man in 19th century Montreal. She has everything she wants, except for a best friend—until clever, scheming Sadie Arnett moves to the neighborhood. Immediately united by their passion and intensity, Marie and Sadie attract and repel each other in ways that thrill them both. Their games soon become tinged with risk, even violence. Forced to separate by the adults around them, they spend years engaged in acts of alternating innocence and depravity. And when a singular event brings them back together, the dizzying effects will upend the city. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal’s wealthy, When We Lost Our Heads dazzlingly explores gender, sex, desire, class, and the terrifying power of the human heart when it can’t let someone go.
Lullabies for Little Criminals
'Like Angela Carter, she is relentlessly inventive' Sunday Times 'Full of pathos, spirit and iridescent innocence' Independent on Sunday The first novel by the author of The Lonely Hearts Hotel 12-year-old Baby is used to turmoil in her life. Her mother is long dead, her father is a junkie and they shuttle between rotting apartments and decrepit downtown hotels. As her father's addiction and paranoia grow worse, she begins a journey that will lead her through chaos and hardship; but Baby's remarkable strength of spirit enables her to survive. Smart, funny and determined to lift herself off the city's dirty streets, she knows that the only person she can truly rely upon is herself.
Daydreams of Angels
Original and bewitching rewrites of children's stories and fairytales set around World War Two, by the Women's Prize-shortlisted author A cherub breaks all the rules when he spends one night with a girl on earth. Snow White and Rose Red forge a unique way to survive the Paris occupation. A soldier is brought back to life by a toymaker, but he's not grateful. And a child begins the story of a Gypsy and a bear, who have to finish it themselves. These are old stories, but not as you know them. These are set not in the forests of Europe or fantasy worlds, but on the battlefields of World War Two and the wilderness of downtown Montreal. With her blazing imagination, irreverent humour and arresting prose, Heather O'Neill twists them anew: more magical for their realism, more profound for their darkness; captivating, witty and wicked.
This City Belongs to You
Between 1944 and 1996, Guatemala experienced a revolution, counterrevolution, and civil war. Playing a pivotal role within these national shifts were students from Guatemala’s only public university, the University of San Carlos (USAC). USAC students served in, advised, protested, and were later persecuted by the government, all while crafting a powerful student nationalism. In no other moment in Guatemalan history has the relationship between the university and the state been so mutable, yet so mutually formative. By showing how the very notion of the middle class in Guatemala emerged from these student movements, this book places an often-marginalized region and period at the center of histories of class, protest, and youth movements and provides an entirely new way to think about the role of universities and student bodies in the formation of liberal democracy throughout Latin America.
The Oxford Handbook of American Drama
This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.
The Girl Who Was Saturday Night
"An enchanting story of twins, fame, and heartache by the much-praised author of Lullabies for Little Criminals"--
The Lonely Hearts Hotel
From the two-time Giller Prize shortlisted author, a dazzling circus of a novel set in the seductive underside of Montreal and New York between the wars Two babies are abandoned in a Montreal orphanage in the winter of 1910. One is a girl named Rose; the other, a boy named Pierrot. Each display rare gifts that bring them adoration and hatred. As they are made to travel around the city performing clown routines to raise funds for the orphanage, they make plans for a sensational future. They are separated as teenagers and sent off to work as menial servants, but both soon find themselves escaping into the criminal world, participating in the vicious and absurd and perverted underbelly of Montreal and New York City between the wars. They search for each other, and one night, under the snowflakes, they reunite, and the underworld will never look quite the same. With all the storytelling skill and magical language for which she is known, Heather O’Neill dazzles us with a new tale of motherless gangsters, drug addicted pianists, radicalized chorus girls and a city whose economy hinges on the price of a kiss.
Find Your Fire at Forty
"Find Your Five at Forty" combines the best of both worlds. It will entertain the reader with a story that communicates the progression of five endearing characters. Then it will teach the steps the characters took to achieve success and reveal the secret of how simple it is for anyone to enjoy their life to the fullest.
A Hero of Our Time
A wry comic novel with an acerbic wit, A Hero of Our Time is a vicious takedown of superficial diversity initiatives and tech culture, with a beating heart of broken sincerity. Osman Shah is a pitstop on his white colleague Olivia Robinson’s quest for corporate domination at AAP, an edutech startup determined to automate higher education. Osman, obsessed by Olivia’s ability to successfully disguise ambition and self-interest as collectivist diversity politics, is bent on exposing her. Aided by his colleague turned comrade-in-arms Nena, who loathes and tolerates him in equal measure, Osman delves into Olivia's twisted past. But at every turn, he's stymied by his unfailing gift for cruel o...
Bounds of Justice
Argues for a concept of justice that takes account of boundaries, institutions and human diversity.
