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Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics. Contributors of these chapters come from a wide range of disciplines and backgrounds: architects, mathematicians, historians, theoreticians, scientists and educators. Through this work, architecture may be seen and understood in a new light, by professionals as well as non-professionals. Volume I covers architecture from antiquity through Egyptian, Mayan, Greek, Roman, Medieval, Inkan, Gothic and early Renaissance eras and styles. The themes that are covered range from symbolism and proportion to measurement and structural stability. From Europe to Africa, Asia and South America, the chapters span different countries, cultures and practices.
This volume offers a path-breaking reassessment of Xu Bing’s oeuvre by analyzing the diverse cultural environments in which his work has developed since the Book from the Sky. It contains three lecture transcripts and eight art historical essays; these explore themes such as Xu’s animal works, audience participation, new ink, prints, realism, socialist spectacle, and word play. A critical question addressed in this volume is what carries art to a global level beyond regional histories and cultural symbols. Absorbing critical essays on contemporary Chinese aesthetics addressing the social context and philosophical concerns that underlie Xu Bing’s key works. The authors analyze Xu’s art, shedding light on the tangled history of socialism and neoliberalism in the Post-Mao period. --Prof. Dr. Lothar Ledderose, Senior Professor, Institute of East Asian Art, Universität Heidelberg
This book introduces readers to the living topics of Riemannian Geometry and details the main results known to date. The results are stated without detailed proofs but the main ideas involved are described, affording the reader a sweeping panoramic view of almost the entirety of the field. From the reviews "The book has intrinsic value for a student as well as for an experienced geometer. Additionally, it is really a compendium in Riemannian Geometry." --MATHEMATICAL REVIEWS
Revised Ph.D. from the Catholic University of Portugal, for the degree of Doctor of German Language and Literature, 2007.
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus...
With one volume each year, this series keeps scientists and advanced students informed of the latest developments and results in all areas of the plant sciences. The present volume includes reviews on genetics, cell biology, physiology, comparative morphology, systematics, ecology, and vegetation science.
Wolfgang Hilbig is a writer who is widely acknowledged as one of the most important to have emerged from the former GDR. In this study, the first in English, Paul Cooke explores the interplay of aesthetic and social ‘taboos’, as defined by the official discourse of the GDR, in a cross-section of Hilbig’s critical writing, poetry and prose. The protagonists in Hilbig’s texts suffer from a profound crisis of identity due to the disparity between the state’s official presentation of life in the East and their own experience. Cooke argues that through their exploration of the ‘taboo’, i.e. that which is excluded from the state’s official discourse, Hilbig’s characters attempt to break through the banal rhetoric of the ruling elite in order to realise an authentic sense of self.
Die Krankheiten sind keine unvedinderlichen Erscheinungen, sie sind histo rischen Wandlungen und wechselnden geographischen und demographischen Ver haltnissen unterworfen. Deshalb wechselt auch das Gesamtbild der Krankheiten, das Krankheitspanorama, von Zeit zu Zeit, von Land zu Land, von Ort zu Ort. Zu den vielen Faktoren, die bei der Gestaltung des Krankheitspanoramas wirksam sind, geh6ren die Ernahrungsverhaltnisse, die sozialen und hygienischen Verhalt nisse, die Epi-und Endemien und Epi-und Enzootien mit der nachher eintreten den Immunitat, die Fortschritte der medizinischen Forschung und Therapie und schliel3lich die mit den anderen Faktoren eng verbundenen Veranderungen der mittleren ...
A philosophical and historical testament to the twentieth century, this volume consists of a wide-ranging series of interviews conducted in 1999/2000 between the then centenarian and his former assistant and associate of over thirty years, Riccardo Dottori. These ten dialogues distill and situate Gadamer's philosophy in the context of what has arguably been the bloodiest century in human history. In the course of the interviews, Gadamer addresses-often critically-the work of a wide variety of philosophers, including Heidegger, Nietzsche, Jaspers, Popper, Vico, Habermas, Rorty, and Derrida. He also elaborates on German philosophy during the Nazi period; and, in one of the more fascinating conversations, we are treated to a glimpse of Gadamer's personal perspective on the question of Heidegger's Nazism, including a discussion of the political influence that great philosopher's wife, Elfirde, had on him that tends to contradict most other published accounts. With the possible exception of his autobiography 1985, A Century of Philosophy is perhaps the most accessible expression of Gadamer's life and work in English today.
This study offers new perspectives on Wolfgang Koeppen, a writer too often consigned to the margins of post-1945 literary history. Examining the interaction of the personal and the social in Koeppen's writings, this book demonstrates that the politics of his works are inherent to their form. Through a series of close readings, the book explores the positive and negative aspects of liminality, a dominant trope in Koeppen's works. Stressing the thematic and formal continuities of his oeuvre, the first section illustrates how his protagonists perpetually establish a space for themselves 'in between' states. The second section examines how Koeppen negotiates with the discourse of 'nation' during two central periods of his career. It shows how his experiences in the Third Reich and his reappraisal of the years prior to 1933 determine his perspective on modernity, modernism and Germany after 1945. Having defined the location of culture in his works, the book concludes by resituating Koeppen's writings within post-war West German literary culture.