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"Roman politico-historique, Les Maquisards de Hemley Boum révèle qu'une nation résulte toujours d'une violence fondatrice dont il faut savoir transmettre l'odyssée. Aussi constitue-t-elle une narration du point de vue du peuple, de sorte qu'elle se manifeste effectivement comme l'émanation de son H/histoire narrée. Pour ce qui est du Cameroun, la nation émane du maquis, ce hors-monde au coeur du monde où se projette ce que doit être le Cameroun. Territoire relationnel et symbolique, le maquis s'impose à la mémoire collective comme ce lieu d'enracinement d'humanité qui rappelle la sacralité de la nation née du sacrifice des maquisards, ces hommes et femmes qui se sont faits proches parce qu'ils se sont rapprochés, animés d'un même idéal : la liberté de vivre ensemble. Telle est l'économie du présent essai que nous livrent Stéphane Amougou Ndi et Raphaël Ngwe"--Page 4 of cover.
"Chronicles the beauty and turmoil of a rapidly changing Cameroon through the story of three generations of women"--
"Chronicles the beauty and turmoil of a rapidly changing Cameroon through the story of three generations of women"--
As we enter the third decade of the twenty-first century, the world is undergoing a major historical shift: Africa, and the Global South more generally, is increasingly becoming a principal theatre in which the future of the planet plays itself out. But not only this: Africa is at the same time emerging as one of the great laboratories for novel forms of social, economic, political, intellectual, cultural, and artistic life. Often arising in unexpected places, these new forms of life materialize in practices that draw deeply from collective memory while simultaneously assuming distinctly contemporary, even futuristic, guises. In November 2017, the second session of the Ateliers de la pensée...
This Element explores the politics of literary translation via case studies from the Heinemann African Writers Series and the work of twenty-first-century literary translators in Cameroon. It intervenes in debates concerning multilingualism, race and decolonization, as well as methodological discussion in African literary studies, world literature, comparative literature and translation studies. The task of translating African literary texts has developed according to political and socio-economic contexts. It has contributed to the consecration of a canon of African classics and fuelled polemics around African languages. Yet retranslation remains rare and early translations are frequently criticised. This Element's primary focus on the labour rather than craft or art of translation emphasises the material basis that underpins who gets to translate and how that embodied labour occurs within the process of book production and reception. The arguments draw on close readings, fresh archival material, interviews, and co-production and observation of literary translation workshops.
Drawing on a global history of politicized writing, this book explores literature's utility as a mode of activism and aesthetic engagement with the political challenges of the current moment. The question of literature's 'uses' has recently become a key topic of academic and public debate. Paradoxically, however, these conversations often tend to bypass the rich history of engagements with literature's distinctly political uses that form such a powerful current of 20th- and 21st-century artistic production and critical-theoretical reflection. The Political Uses of Literature reopens discussion of literature's political and activist genealogies along several interrelated lines: As a foundatio...
Die vorliegende Studie stellt einen Versuch dar, Diskurse und Gedächtnismodi herauszuarbeiten, die der neueren Diskussion zur Kolonisation zugrunde liegen. Die Studie beantwortet die Frage, wie Kolonialismus in zeitgenössischen Erzählungen zur Kolonialzeit erinnert wird, d.h. in welchen Begriffen Literatur Bezug auf den Kolonialismus nimmt und zu welchem Zweck. Aus dem komparatistischen Vergleich geht hervor, dass die meisten Narrative, ob afrikanische oder europäische, zwar einen postkolonialen Blick auf die koloniale Vergangenheit (ent)werfen, der diskursive Standpunkt der Erzählungen aber weitgehend von dem historisch-kulturellen Gefüge abhängt, aus dem die Texte und deren Autor:in...
« Entré en tant que cousin, sorti en tant que gendarme ». Cette anecdote révèle le paradoxe identitaire aux Comores et le drame ‘migratoire’ qui se déroule dans l’Archipel depuis l’instauration arbitraire du Visa Balladur en 1995. L’île de Mayotte, officiellement française, est taxée de « plus grand cimetière marin du monde. » Comment des œuvres d’imagination sur la « migration » d’Anjouan vers Mayotte peuvent-elles constituer une thérapie collective et une intervention sociale ? Cet ouvrage répond entre autres à cette question en analysant 18 textes et en associant études littéraires, anthropologie, sociologie, histoire et droit international. « He came as...